{"title":"“超级油轮是英雄,政府是恶棍”:媒体对智利2017年森林大火的政治化","authors":"Tomás Undurraga, P. Güell, Mario Fergnani","doi":"10.1177/17499755211067642","DOIUrl":null,"url":null,"abstract":"This article analyses the politicization of natural disasters in the media and the narratives of crisis that contribute to these dynamics. In particular, it studies media coverage of the 2017 mega-fires in Chile and the way in which this coverage was framed by pre-existing political disputes over the performance of Michelle Bachelet’s government (2014–2018). It examines the print press coverage of the mega-fires, and the framing contests used to interpret the fire crisis. It pays special attention to the controversies that erupted over the foreign planes that were sent to help fight the fires: the American Supertanker and the Russian Ilyushin. We argue that press coverage of the mega-fires transformed a natural-social phenomenon into an emotionally charged political drama in which the Supertanker airplane was signified as the hero, and the Chilean government the villain. The Supertanker played a condensation symbol role. It was cast in the media as an external hero promising to control the fires that had overwhelmed local capabilities, and to overcome a government that was portrayed as inefficient and late to respond. The media functioned as an echo chamber for the cultural battle between the government and opposition. This article contributes to a cultural sociology of disasters, paying special attention to the role played by the symbolic representation of nature and socio-technical artefacts in political disputes.","PeriodicalId":46722,"journal":{"name":"Cultural Sociology","volume":"16 1","pages":"527 - 547"},"PeriodicalIF":1.4000,"publicationDate":"2022-05-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"‘Supertanker is a Hero, the Government a Villain’: Politicization of Chile’s 2017 Forest Fires in the Media\",\"authors\":\"Tomás Undurraga, P. Güell, Mario Fergnani\",\"doi\":\"10.1177/17499755211067642\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article analyses the politicization of natural disasters in the media and the narratives of crisis that contribute to these dynamics. In particular, it studies media coverage of the 2017 mega-fires in Chile and the way in which this coverage was framed by pre-existing political disputes over the performance of Michelle Bachelet’s government (2014–2018). It examines the print press coverage of the mega-fires, and the framing contests used to interpret the fire crisis. It pays special attention to the controversies that erupted over the foreign planes that were sent to help fight the fires: the American Supertanker and the Russian Ilyushin. We argue that press coverage of the mega-fires transformed a natural-social phenomenon into an emotionally charged political drama in which the Supertanker airplane was signified as the hero, and the Chilean government the villain. The Supertanker played a condensation symbol role. It was cast in the media as an external hero promising to control the fires that had overwhelmed local capabilities, and to overcome a government that was portrayed as inefficient and late to respond. The media functioned as an echo chamber for the cultural battle between the government and opposition. This article contributes to a cultural sociology of disasters, paying special attention to the role played by the symbolic representation of nature and socio-technical artefacts in political disputes.\",\"PeriodicalId\":46722,\"journal\":{\"name\":\"Cultural Sociology\",\"volume\":\"16 1\",\"pages\":\"527 - 547\"},\"PeriodicalIF\":1.4000,\"publicationDate\":\"2022-05-10\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Cultural Sociology\",\"FirstCategoryId\":\"90\",\"ListUrlMain\":\"https://doi.org/10.1177/17499755211067642\",\"RegionNum\":1,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"SOCIOLOGY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Cultural Sociology","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1177/17499755211067642","RegionNum":1,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"SOCIOLOGY","Score":null,"Total":0}
‘Supertanker is a Hero, the Government a Villain’: Politicization of Chile’s 2017 Forest Fires in the Media
This article analyses the politicization of natural disasters in the media and the narratives of crisis that contribute to these dynamics. In particular, it studies media coverage of the 2017 mega-fires in Chile and the way in which this coverage was framed by pre-existing political disputes over the performance of Michelle Bachelet’s government (2014–2018). It examines the print press coverage of the mega-fires, and the framing contests used to interpret the fire crisis. It pays special attention to the controversies that erupted over the foreign planes that were sent to help fight the fires: the American Supertanker and the Russian Ilyushin. We argue that press coverage of the mega-fires transformed a natural-social phenomenon into an emotionally charged political drama in which the Supertanker airplane was signified as the hero, and the Chilean government the villain. The Supertanker played a condensation symbol role. It was cast in the media as an external hero promising to control the fires that had overwhelmed local capabilities, and to overcome a government that was portrayed as inefficient and late to respond. The media functioned as an echo chamber for the cultural battle between the government and opposition. This article contributes to a cultural sociology of disasters, paying special attention to the role played by the symbolic representation of nature and socio-technical artefacts in political disputes.
期刊介绍:
Cultural Sociology publishes empirically oriented, theoretically sophisticated, methodologically rigorous papers, which explore from a broad set of sociological perspectives a diverse range of socio-cultural forces, phenomena, institutions and contexts. The objective of Cultural Sociology is to publish original articles which advance the field of cultural sociology and the sociology of culture. The journal seeks to consolidate, develop and promote the arena of sociological understandings of culture, and is intended to be pivotal in defining both what this arena is like currently and what it could become in the future. Cultural Sociology will publish innovative, sociologically-informed work concerned with cultural processes and artefacts, broadly defined.