截肢舞者:与劳伦斯·夏皮罗的对话(以及更多)

IF 0.2 0 DANCE
Lawrence Shapiro, L. Miller
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引用次数: 0

摘要

这篇文章最初是由劳伦斯·夏皮罗(Lawrence Shapiro)在加拿大艺术委员会赞助的2022年德国柏林之行中进行的反思,此行是为了与“当代舞蹈中更多身体多样性倡议”及其合奏团Tanzfaehig合作。虽然劳伦斯提供给编舞实践的最初的那篇文章仍然是这里呈现的核心元素,但它被李·米勒和劳伦斯在2023年4月7日星期五的谈话文本所补充。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The amputee dancer: A conversation (and more) with Lawrence Shapiro
This piece of writing started life as reflection by Lawrence Shapiro on his Canada Council for the Arts sponsored trip to Berlin, Germany in 2022 to work with ‘The Initiative for More Physical Diversity in Contemporary Dance’ and their ensemble Tanzfaehig. While the initial piece of writing that Lawrence offered to Choreographic Practices remains a central element of what is presented here, it is supplemented by the text of a conversation Lee Miller and Lawrence had on Friday, 7 April 2023.
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来源期刊
CiteScore
0.10
自引率
0.00%
发文量
9
期刊介绍: Choreographic Practices operates from the principle that dance embodies ideas and can be productively enlivened when considered as a mode of critical and creative discourse. This double-blind peer-reviewed journal provides a platform for sharing choreographic practices, critical inquiry and debate. Placing an emphasis on processes and practices over products, this journal seeks to engender dynamic relationships between theory and practice, choreographer and scholar, so that these distinctions may be shifted and traversed. Choreographic Practices will encompass a wide range of methodologies and critical perspectives such that interdisciplinary processes in performance can be understood as they intersect with other territories in the arts and beyond (for example, cultural studies, psychology, phenomenology, geography, philosophy and economics). In this way, the journal will open up the nature and scope of dance practice as research and draw together diverse bodies of knowledge and ways of knowing to illuminate an emerging and vibrant research area.
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