{"title":"电影中立体主义定义的主要来源","authors":"Alfonso Puyal","doi":"10.3828/jrs.2022.6","DOIUrl":null,"url":null,"abstract":"\nThe article presents four documentary sources in order to elucidate the impact of Cubism and its interpretation in French narrative avant-garde cinema between 1918 and 1923: ‘Cinema and Cubism’, by Louis Delluc; ‘Cubism and Cinema’, by Louis Vauxcelles; ‘Cubist Films’, by Yvan Goll; and ‘Cubism in Cinema’, by Robert Mallet-Stevens. Although filmmaking took certain influences from Cubism after it had been absorbed by other aesthetic movements (Art déco, Purism), the role played by film criticism and theory in the definition of Cubism applied to the cinema is decisive, given that the filmmakers of the French school developed a whole theoretical corpus through which they defended the entry of this new medium into the world of art.","PeriodicalId":41740,"journal":{"name":"Journal of Romance Studies","volume":" ","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Primary sources for a definition of Cubism in cinema\",\"authors\":\"Alfonso Puyal\",\"doi\":\"10.3828/jrs.2022.6\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\nThe article presents four documentary sources in order to elucidate the impact of Cubism and its interpretation in French narrative avant-garde cinema between 1918 and 1923: ‘Cinema and Cubism’, by Louis Delluc; ‘Cubism and Cinema’, by Louis Vauxcelles; ‘Cubist Films’, by Yvan Goll; and ‘Cubism in Cinema’, by Robert Mallet-Stevens. Although filmmaking took certain influences from Cubism after it had been absorbed by other aesthetic movements (Art déco, Purism), the role played by film criticism and theory in the definition of Cubism applied to the cinema is decisive, given that the filmmakers of the French school developed a whole theoretical corpus through which they defended the entry of this new medium into the world of art.\",\"PeriodicalId\":41740,\"journal\":{\"name\":\"Journal of Romance Studies\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2022-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Romance Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3828/jrs.2022.6\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Romance Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3828/jrs.2022.6","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
Primary sources for a definition of Cubism in cinema
The article presents four documentary sources in order to elucidate the impact of Cubism and its interpretation in French narrative avant-garde cinema between 1918 and 1923: ‘Cinema and Cubism’, by Louis Delluc; ‘Cubism and Cinema’, by Louis Vauxcelles; ‘Cubist Films’, by Yvan Goll; and ‘Cubism in Cinema’, by Robert Mallet-Stevens. Although filmmaking took certain influences from Cubism after it had been absorbed by other aesthetic movements (Art déco, Purism), the role played by film criticism and theory in the definition of Cubism applied to the cinema is decisive, given that the filmmakers of the French school developed a whole theoretical corpus through which they defended the entry of this new medium into the world of art.
期刊介绍:
Published in association with the Institute of Modern Languages Research, School of Advanced Study, University of London. Journal of Romance Studies (JRS) promotes innovative critical work in the areas of linguistics, literature, performing and visual arts, media, material culture, intellectual and cultural history, critical and cultural theory, psychoanalysis, gender studies, social sciences and anthropology. One themed issue and two open issues are published each year. The primary focus is on those parts of the world that speak, or have spoken, French, Italian, Spanish or Portuguese, but articles focusing on other Romance languages and cultures (for example, Catalan, Galician, Occitan, Romanian and other minority languages) is also encouraged.