{"title":"万花筒世界中的闪光实践:电影创作的情感、具象和感觉模式","authors":"N. LeBlanc","doi":"10.1163/23644583-bja10025","DOIUrl":null,"url":null,"abstract":"\nThis article explores a series of non-linear films produced in an undergraduate digital arts course. Drawing on Deleuze’s (1989) concept of the time-image, the researcher theorizes how filmmaking produces events of duration (Deleuze, 1991) for which bodies, living and nonliving, are actively engaged in processes of becoming. She makes connections with what Deborah Bird Rose (2017) calls shimmer with practices of immediation (Manning, 2019) a brilliance that brings us into “the experience of being part of a vibrant and vibrating world” (Rose, 2017, p. 53). The researcher argues that filmmaking is a shimmering practice in a kaleidoscope world – capable of generating affective, embodied, and sensorial events – practices-in-the-making. Thus the article aligns with the goal of this special topic: to analyze affective and somatic modes of filmmaking and their potential to create virtual openings in the ubiquitous quality of sensation in the city (Thain, 2019).","PeriodicalId":31797,"journal":{"name":"Video Journal of Education and Pedagogy","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-05-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Shimmering Practices in a Kaleidoscope World: Affective, Embodied and Sensorial Modes of Filmmaking\",\"authors\":\"N. LeBlanc\",\"doi\":\"10.1163/23644583-bja10025\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\nThis article explores a series of non-linear films produced in an undergraduate digital arts course. Drawing on Deleuze’s (1989) concept of the time-image, the researcher theorizes how filmmaking produces events of duration (Deleuze, 1991) for which bodies, living and nonliving, are actively engaged in processes of becoming. She makes connections with what Deborah Bird Rose (2017) calls shimmer with practices of immediation (Manning, 2019) a brilliance that brings us into “the experience of being part of a vibrant and vibrating world” (Rose, 2017, p. 53). The researcher argues that filmmaking is a shimmering practice in a kaleidoscope world – capable of generating affective, embodied, and sensorial events – practices-in-the-making. Thus the article aligns with the goal of this special topic: to analyze affective and somatic modes of filmmaking and their potential to create virtual openings in the ubiquitous quality of sensation in the city (Thain, 2019).\",\"PeriodicalId\":31797,\"journal\":{\"name\":\"Video Journal of Education and Pedagogy\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-05-24\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Video Journal of Education and Pedagogy\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1163/23644583-bja10025\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"Social Sciences\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Video Journal of Education and Pedagogy","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/23644583-bja10025","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Social Sciences","Score":null,"Total":0}
Shimmering Practices in a Kaleidoscope World: Affective, Embodied and Sensorial Modes of Filmmaking
This article explores a series of non-linear films produced in an undergraduate digital arts course. Drawing on Deleuze’s (1989) concept of the time-image, the researcher theorizes how filmmaking produces events of duration (Deleuze, 1991) for which bodies, living and nonliving, are actively engaged in processes of becoming. She makes connections with what Deborah Bird Rose (2017) calls shimmer with practices of immediation (Manning, 2019) a brilliance that brings us into “the experience of being part of a vibrant and vibrating world” (Rose, 2017, p. 53). The researcher argues that filmmaking is a shimmering practice in a kaleidoscope world – capable of generating affective, embodied, and sensorial events – practices-in-the-making. Thus the article aligns with the goal of this special topic: to analyze affective and somatic modes of filmmaking and their potential to create virtual openings in the ubiquitous quality of sensation in the city (Thain, 2019).