基于语法压缩器的音乐分析研究

IF 1.1 4区 计算机科学 Q4 COMPUTER SCIENCE, INTERDISCIPLINARY APPLICATIONS
D. Humphreys, K. Sidorov, Andrew Jones, David Marshall
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引用次数: 1

摘要

许多研究提出了音乐结构的计算模型,作为音乐学分析的一个重要方面。然而,使用基于语法的压缩器来自动恢复此类信息是一种相对较新且有前景的技术。我们收集了近8000个分数,广泛研究了它们在错误检测、分类和分割等任务中的性能,并将其与一系列更传统的压缩器进行了比较。此外,我们详细介绍了一种基于语法压缩的定位转录错误的新方法。尽管缺乏领域知识,但我们得出结论,基于语法的压缩在解决各种音乐学任务时提供了有竞争力的性能。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
An investigation of music analysis by the application of grammar-based compressors
Many studies have presented computational models of musical structure, as an important aspect of musicological analysis. However, the use of grammar-based compressors to automatically recover such information is a relatively new and promising technique. We investigate their performance extensively using a collection of nearly 8000 scores, on tasks including error detection, classification, and segmentation, and compare this with a range of more traditional compressors. Further, we detail a novel method for locating transcription errors based on grammar compression. Despite its lack of domain knowledge, we conclude that grammar-based compression offers competitive performance when solving a variety of musicological tasks.
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来源期刊
Journal of New Music Research
Journal of New Music Research 工程技术-计算机:跨学科应用
CiteScore
3.20
自引率
0.00%
发文量
5
审稿时长
>12 weeks
期刊介绍: The Journal of New Music Research (JNMR) publishes material which increases our understanding of music and musical processes by systematic, scientific and technological means. Research published in the journal is innovative, empirically grounded and often, but not exclusively, uses quantitative methods. Articles are both musically relevant and scientifically rigorous, giving full technical details. No bounds are placed on the music or musical behaviours at issue: popular music, music of diverse cultures and the canon of western classical music are all within the Journal’s scope. Articles deal with theory, analysis, composition, performance, uses of music, instruments and other music technologies. The Journal was founded in 1972 with the original title Interface to reflect its interdisciplinary nature, drawing on musicology (including music theory), computer science, psychology, acoustics, philosophy, and other disciplines.
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