鲍林·苏马努·维埃拉,苏联和冷战环路对非洲电影的影响,1958-1978

Q3 Arts and Humanities
Elena Razlogova
{"title":"鲍林·苏马努·维埃拉,苏联和冷战环路对非洲电影的影响,1958-1978","authors":"Elena Razlogova","doi":"10.2979/blackcamera.13.2.24","DOIUrl":null,"url":null,"abstract":"Abstract:Based on previously unexamined documents in Soviet archives, this essay shows Paulin S. Vieyra's key role as a \"cinematic internationalist\" who used the socialist and Cold War film networks to advance African cinema. As a filmmaker, producer, scholar, and Senegalese government official, Vieyra took part in Soviet film life, beginning with the 1957 International Youth Festival in Moscow. Vieyra participated in the making of the Soviet documentary about the First Negro Arts Festival in Dakar, African Rhythms; represented the Pan-African Federation of Filmmakers at the Tashkent Festival for African, Asian, and Latin American Cinema; and advocated for African films on the Moscow International Film Festival jury in 1971, 1973, and 1985. He also traveled to the United States, as a member of a FEPACI delegation in 1973 and as a participant in a major Senegalese cinema retrospective at the Museum of American Art in New York and the Pacific Film Archive at Berkeley in 1978. Vieyra's advocacy connected two politically disparate film cultures that supported African cinema during the decolonization era—Soviet cinema and militant Third Cinema. He used Cold War infrastructures in the Soviet Union and the United States to promote and establish African cinemas internationally.","PeriodicalId":42749,"journal":{"name":"Black Camera","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Paulin Soumanou Vieyra, the Soviet Union, and Cold War Circuits for African Cinema, 1958–1978\",\"authors\":\"Elena Razlogova\",\"doi\":\"10.2979/blackcamera.13.2.24\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:Based on previously unexamined documents in Soviet archives, this essay shows Paulin S. Vieyra's key role as a \\\"cinematic internationalist\\\" who used the socialist and Cold War film networks to advance African cinema. As a filmmaker, producer, scholar, and Senegalese government official, Vieyra took part in Soviet film life, beginning with the 1957 International Youth Festival in Moscow. Vieyra participated in the making of the Soviet documentary about the First Negro Arts Festival in Dakar, African Rhythms; represented the Pan-African Federation of Filmmakers at the Tashkent Festival for African, Asian, and Latin American Cinema; and advocated for African films on the Moscow International Film Festival jury in 1971, 1973, and 1985. He also traveled to the United States, as a member of a FEPACI delegation in 1973 and as a participant in a major Senegalese cinema retrospective at the Museum of American Art in New York and the Pacific Film Archive at Berkeley in 1978. Vieyra's advocacy connected two politically disparate film cultures that supported African cinema during the decolonization era—Soviet cinema and militant Third Cinema. He used Cold War infrastructures in the Soviet Union and the United States to promote and establish African cinemas internationally.\",\"PeriodicalId\":42749,\"journal\":{\"name\":\"Black Camera\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Black Camera\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2979/blackcamera.13.2.24\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Black Camera","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2979/blackcamera.13.2.24","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 1

摘要

摘要:本文根据苏联档案中未经审查的文件,展示了波林·S·维耶拉作为“电影国际主义者”的关键作用,他利用社会主义和冷战时期的电影网络推动了非洲电影的发展。作为一名电影制作人、制片人、学者和塞内加尔政府官员,维耶拉参与了苏联的电影生活,从1957年莫斯科国际青年节开始。Vieyra参与了关于达喀尔第一届黑人艺术节的苏联纪录片《非洲节奏》的制作;代表泛非电影制作人联合会参加塔什干非洲、亚洲和拉丁美洲电影节;并于1971年、1973年和1985年在莫斯科国际电影节评委会上为非洲电影代言。1973年,他作为FEPACI代表团成员前往美国,1978年,他参加了纽约美国艺术博物馆和伯克利太平洋电影档案馆的塞内加尔大型电影回顾展。维耶拉的倡导将非殖民化时代支持非洲电影的两种政治上截然不同的电影文化联系在一起——苏联电影和激进的第三电影。他利用苏联和美国的冷战基础设施在国际上推广和建立非洲电影院。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Paulin Soumanou Vieyra, the Soviet Union, and Cold War Circuits for African Cinema, 1958–1978
Abstract:Based on previously unexamined documents in Soviet archives, this essay shows Paulin S. Vieyra's key role as a "cinematic internationalist" who used the socialist and Cold War film networks to advance African cinema. As a filmmaker, producer, scholar, and Senegalese government official, Vieyra took part in Soviet film life, beginning with the 1957 International Youth Festival in Moscow. Vieyra participated in the making of the Soviet documentary about the First Negro Arts Festival in Dakar, African Rhythms; represented the Pan-African Federation of Filmmakers at the Tashkent Festival for African, Asian, and Latin American Cinema; and advocated for African films on the Moscow International Film Festival jury in 1971, 1973, and 1985. He also traveled to the United States, as a member of a FEPACI delegation in 1973 and as a participant in a major Senegalese cinema retrospective at the Museum of American Art in New York and the Pacific Film Archive at Berkeley in 1978. Vieyra's advocacy connected two politically disparate film cultures that supported African cinema during the decolonization era—Soviet cinema and militant Third Cinema. He used Cold War infrastructures in the Soviet Union and the United States to promote and establish African cinemas internationally.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
Black Camera
Black Camera FILM, RADIO, TELEVISION-
CiteScore
0.30
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信