澳大利亚《滚石》杂志封面背后:谈判女性音乐杂志编辑的角色

R. Johinke
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引用次数: 0

摘要

歌手、词曲作者和音乐家创造人物角色,扮演摇滚明星、朋克、万人迷、歌手、天后或摇滚小妞的角色。杂志封面是整合和营销人物形象的关键因素。杂志封面的视觉力量是经过校准的,以最大限度地影响特定受众,编辑的一个关键部分是决定封面图像和封面线条。此外,现在人们期望光鲜杂志的编辑是公认的“有影响力的人”,他们将自己的杂志所宣扬的价值观和商品人格化。我们希望表演者表演,但我们希望音乐杂志编辑也采用性别化的名人形象和公众自我吗?本文以澳大利亚《滚石》杂志为研究对象,探讨了音乐杂志编辑的人格特征和音乐名人的建构。凯西·贝尔(Kathy Bail)和伊丽莎白·布莱克(Elissa Blake)是第一批以杂志形式编辑该标题的两位女性,她们的采访强调了文化中介的自我塑造,以及女性在澳大利亚媒体工作场所担任领导角色所面临的挑战。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
BEHIND THE COVERS OF AUSTRALIAN ROLLING STONE: NEGOTIATING THE PERSONA OF A FEMALE MUSIC MAGAZINE EDITOR
Singers, songwriters and musicians create personas and perform the (gendered) role of rock star, punk, heart-throb, crooner, diva, or rock chick. Magazine covers are a key factor in consolidating and marketing that constructed persona. Magazine covers have visual power that is calibrated for maximum impact with a defined audience and a key part of the editor’s role is to decide on the cover image and cover lines. Moreover, there is now an expectation that editors of glossy magazines are recognisable ‘influencers’ who personify the values and commodities that their titles promote. We expect performers to put on a show, but do we expect music magazine editors to adopt a gendered celebrity persona and a public self too? This article examines the persona of the music magazine editor and the construction of music celebrity with a particular focus on Australian Rolling Stone magazine. Interviews with Kathy Bail and Elissa Blake, the first two women to edit the title in magazine format, underscore the self-fashioning of cultural intermediaries and the challenges for women in leadership roles in Australian media workplaces.
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