Ludvig Elblaus, Åsa Unander-Scharin, Carl Unander-Scharin
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引用次数: 1
摘要
在中世纪的民谣传统中,一个反复出现的主题是转变。在为室内乐团、歌手和舞者举办的一场名为Varelser och Ballader(《存在与歌谣》)的舞台音乐会上,我们用民谣与当代诗歌和新音乐相结合的方式探讨了这一主题。演出使用了定制的数字乐器,使用视频分析和大规模物理接口进行变革。在这篇文章中,我们描述了这首歌本身,以及数字的神秘品质是如何被用来强调中世纪民谣中超自然生物的转变和欺骗的怪诞主题的。
Uncanny Materialities: Digital Strategies for Staging Supernatural Themes Drawn from Medieval Ballads
In the medieval tradition of ballads, a recurring theme is that of transformation. In a staged concert for chamber orchestra, singers and dancers called Varelser och Ballader (Beings and Ballads), we explored this theme using ballads coupled with contemporary poetry and new music. The performance made use of custom-made digital musical instruments, using video analysis and large-scale physical interfaces for transformative purposes. In this article, we describe the piece itself as well as how uncanny qualities of the digital were used to emphasize eerie themes of transformation and deception by the supernatural beings found in the medieval ballads.
期刊介绍:
Leonardo Music Journal (LMJ), is the companion annual journal to Leonardo. LMJ is devoted to aesthetic and technical issues in contemporary music and the sonic arts. Each thematic issue features artists/writers from around the world, representing a wide range of stylistic viewpoints. Each volume includes the latest offering from the LMJ CD series—an exciting sampling of works chosen by a guest curator and accompanied by notes from the composers and performers. Institutional subscribers to Leonardo receive LMJ as part of a yearly subscription.