与阿克曼的夜晚:《艺术宝库》中的晚礼服,1809-1813

IF 1.5 Q2 COMMUNICATION
J. Barker
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引用次数: 0

摘要

摘要本研究考察了1809年1月至1813年2月《艺术、文学、商业、制造、时尚和政治资料库》前50期中晚礼服的展示情况。在这本由鲁道夫·阿克曼在伦敦出版的19世纪初的英国杂志中,一些视觉和声音成为其主要的时尚传播者。通过对两位作者人物的书面观察,以及优雅的手绘时尚板和国内制造的触觉织物样本,《艺术宝库》为读者提供了一系列动态的服装指导。这项研究阐明了该出版物对晚礼服和相关服装类别的时间界限的解释,对时尚品味和多样性的讨论,以及对视觉冲击、反光和身体暴露的评论,为19世纪初晚礼服的意义提供了新的见解。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
An evening with Ackermann: Evening dress in The Repository of Arts, 1809–1813
ABSTRACT This study examines the presentation of evening dress within the first 50 issues of The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, from January 1809 to February 1813. Within this early nineteenth-century British magazine, published in London by Rudolph Ackermann, several visuals and voices emerge as its primary fashion communicators. Through the written observations of two author-characters, as well as elegant hand-colored fashion plates and tactile fabric swatches of domestic manufacture, The Repository of Arts provided a dynamic array of sartorial instructions for its readers to consider. This study illuminates the publication’s explanation of the temporal boundaries of evening dress and related dress categories, its discussion of good taste and variety in fashion, and its commentary on visual impact, light reflectivity, and bodily exposure, providing new insights into the significance of evening dress at the start of the nineteenth century.
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来源期刊
Popular Communication
Popular Communication COMMUNICATION-
CiteScore
3.90
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0.00%
发文量
15
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