激烈的阅读:克莱斯特的诱惑美学

IF 0.1 3区 文学 0 LITERATURE, GERMAN, DUTCH, SCANDINAVIAN
Gabriel Trop
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引用次数: 0

摘要

摘要克莱斯特的《木偶食者》中的反人道主义以诱惑的形式出现,其中优雅的理想被认为是使可见的机械力缺乏人类的自我意识。尽管如此,文本还是具有诗学功能,因为克莱斯特的审美体验的起源就在于文本的诱惑。本文探讨了一种形式的痛苦阅读的潜力,以应对克莱斯特的诱惑美学所带来的挑战,并将《冯侯爵》视为一种精心设计的仪式性操纵,旨在将越轨欲望融入公民社会的伦理。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Agonistic Reading: Kleist’s Aesthetics of Temptation
ABSTRACT The anti-humanism of Kleist’s Über das Marionettentheater — wherein the ideal of grace is supposed to make visible mechanical forces devoid of human self-consciousness — takes the form of a temptation. The text nevertheless has a poetological function inasmuch as temptation lies at the genesis of aesthetic experience for Kleist. The paper examines the potentialities of a form of agonistic reading in response to the challenges posed by Kleist’s aesthetics of temptation, and concludes by considering Die Marquise von O.... as an elaborate ritualistic manipulation designed to integrate transgressive desire into the ethics of civil society.
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来源期刊
Publications of the English Goethe Society
Publications of the English Goethe Society LITERATURE, GERMAN, DUTCH, SCANDINAVIAN-
CiteScore
0.10
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15
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