死亡!-坟墓!——腐烂!17世纪的外传资讯》(爱沙尼亚语)提到死亡和死亡的一些例子。和18 .世纪

IF 0.1 0 ART
Tiiu Reimo
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引用次数: 0

摘要

爱沙尼亚在1830年以前印刷的外文出版物的《回溯国家书目》中的资料为分析当地印刷厂的生产提供了各种机会。本文通过对印刷版丧葬讲经和诗歌作品中插图元素的研究,揭示了近代早期的丧葬和纪念习俗。像头饰和小装饰品这样的视觉装饰元素具有普遍的象征意义,并用于说明死者的年龄、职业或地位。其中一个目的是提醒观众他们自己的死亡。头骨和棺材是用来描绘死亡的主要小插图图案,死亡也很少被描绘成骷髅或死神。小插图上的铭文强调了圣经中的相关段落,以加强人们的信仰。值得注意的是,不同国家同时使用了相同或相似的小插图。爱沙尼亚的外语葬礼出版物中使用的可视化死亡和哀悼的主题与同一时期瑞典和芬兰使用的主题非常相似。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
TOD! – GRAB! – VERWESUNG! VISUALISIERUNG VON TOD UND STERBEN IN DEN ESTNISCHEN FREMDSPRACHIGEN FUNERALDRUCKEN DES 17. UND 18. JAHRHUNDERTS
The materials in the Retrospective National Bibliography of foreignlanguagepublications printed in Estonia before 1830 provide variousopportunities for analysing the production of local print shops.The article focuses on the illustrative elements in printed funeralsermons and works of poetry, which cast a light on the memorialand commemorative customs in the early modern period.Visual decorative elements like headpieces and vignettes had ageneral symbolic meaning and were used to illustrate funeral textsirrespective of the age, vocation or position of the deceased. Oneobjective was to remind the viewers of their own mortality. Skulls andcoffins were among the main vignette motifs used to depict Death,and less often, Death was depicted as a skeleton or the Grim Reaper.Inscriptions added to the vignettes emphasised relevant passagesfrom the Bible to strengthen one’s faith. The fact that the same orsimilar vignettes were simultaneously used in different countries isnoteworthy. The motifs for visualising Death and mourning used inthe foreign-language funeral publications in Estonia are very similarto those used in Sweden and Finland during the same period.
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
0
期刊介绍: THE BALTIC JOURNAL OF ART HISTORY is an official publication of the Department of Art History of the Institute of History and Archaeology of the University of Tartu. It is published by the University of Tartu Press in cooperation with the Department of Art History. The concept of the journal is to ask contributions from different authors whose ideas and research findings in terms of their content and high academic quality invite them to be published. We are mainly looking forward to lengthy articles of monographic character as well as shorter pieces where the issues raised or the new facts presented cover topics that have not yet been shed light on or open up new art geographies.
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