约翰·亨利·特瓦奇曼和雪的物质性

IF 0.3 2区 艺术学 0 ART
American Art Pub Date : 2019-09-01 DOI:10.1086/707477
Elizabeth Butler
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引用次数: 0

摘要

这篇文章对约翰·亨利·特瓦特曼著名的雪景进行了新的审视。虽然学者们讨论了这些作品的“治疗”性质,但我认为,关于这些画还有更多的话要说,应该考虑它们的字面意义:雪。我相信,特沃特曼的雪景是关于雪的物质性——它的湿润、寒冷和质地。在关注雪的物质性时,我认为特瓦茨曼的雪景与同时代的雪景不同。我认为,他们为特瓦奇曼提供了一个大胆创新的油画实验机会。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
John Henry Twachtman and the Materiality of Snow
This article provides a new look at John Henry Twachtman’s celebrated snowscapes. While scholars have discussed the “therapeutic” nature of these works, I argue that there is more to say about these paintings and that they should be considered for what they are literally about: snow. Twachtman’s snow scenes, I believe, are about snow’s materiality—its wetness, its coldness, and its texture. In focusing on snow’s materiality, I argue that Twachtman’s snow scenes were distinct from those made by his contemporaries. I contend that they provided Twachtman with an opportunity to experiment with oil paint in a way that was bold and innovative.
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来源期刊
CiteScore
0.20
自引率
50.00%
发文量
20
期刊介绍: American Art is a peer-reviewed journal dedicated to exploring all aspects of the nation"s visual heritage from colonial to contemporary times. Through a broad interdisciplinary approach, American Art provides an understanding not only of specific artists and art objects, but also of the cultural factors that have shaped American art over three centuries of national experience. The fine arts are the journal"s primary focus, but its scope encompasses all aspects of the nation"s visual culture, including popular culture, public art, film, electronic multimedia, and decorative arts and crafts. American Art embraces all methods of investigation to explore America·s rich and diverse artistic legacy, from traditional formalism to analyses of social context.
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