杀害桑布卡

IF 0.1 0 RELIGION
Thomas Seibel
{"title":"杀害桑布卡","authors":"Thomas Seibel","doi":"10.1558/rst.23223","DOIUrl":null,"url":null,"abstract":"The episode in the final book of Valmiki’s Ramayana, in which Rama executes a Sudra ascetic named Sambuka, has garnered critical discussion and creative reimagining over the centuries since it was composed. This paper situates the episode as a late addition of the Uttarakanda and its place therein, considering relevant semantic developments of the terms dharma and tapas, and changes in the rigidity of caste boundaries that allegedly took place during this time. Analysis of both pre-modern and modern creative engagements with the Sambukavadha reveal adjustments to the ways in which Rama, Sambuka, and the Brahmana advisors are portrayed and the values and concerns that these changes reflect in the corresponding social and cultural milieux. Finally, the episode as it appears in Anand Neelakanthan’s mythical novel, Asura: Tale of the Vanquished: The Story of Ravana and His People, is considered as recent addition to the living storytelling tradition.","PeriodicalId":40579,"journal":{"name":"Religious Studies and Theology","volume":" ","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2023-03-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Killing of Sambuka\",\"authors\":\"Thomas Seibel\",\"doi\":\"10.1558/rst.23223\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The episode in the final book of Valmiki’s Ramayana, in which Rama executes a Sudra ascetic named Sambuka, has garnered critical discussion and creative reimagining over the centuries since it was composed. This paper situates the episode as a late addition of the Uttarakanda and its place therein, considering relevant semantic developments of the terms dharma and tapas, and changes in the rigidity of caste boundaries that allegedly took place during this time. Analysis of both pre-modern and modern creative engagements with the Sambukavadha reveal adjustments to the ways in which Rama, Sambuka, and the Brahmana advisors are portrayed and the values and concerns that these changes reflect in the corresponding social and cultural milieux. Finally, the episode as it appears in Anand Neelakanthan’s mythical novel, Asura: Tale of the Vanquished: The Story of Ravana and His People, is considered as recent addition to the living storytelling tradition.\",\"PeriodicalId\":40579,\"journal\":{\"name\":\"Religious Studies and Theology\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2023-03-15\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Religious Studies and Theology\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1558/rst.23223\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"RELIGION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Religious Studies and Theology","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1558/rst.23223","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"RELIGION","Score":null,"Total":0}
引用次数: 0

摘要

瓦尔米基的《罗摩衍那》(Ramayana)的最后一本书中,罗摩处决了一个名叫桑布卡(Sambuka)的陀罗苦行僧。自创作以来,这一情节在几个世纪里引发了激烈的讨论和创造性的重新想象。本文将这一情节定位为《北达拉坎达》及其在其中的地位,考虑到“达摩”和“tapas”这两个术语的相关语义发展,以及据称在这一时期发生的种姓界限僵化的变化。对前现代和现代与《参布kavadha》的创造性接触的分析揭示了罗摩、参布卡和婆罗门顾问被描绘的方式的调整,以及这些变化在相应的社会和文化环境中反映的价值观和关注点。最后,阿南德·尼勒akanthan的神话小说《阿修罗:被征服者的故事:拉瓦那和他的子民的故事》中出现的这一情节被认为是最新的活故事传统。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Killing of Sambuka
The episode in the final book of Valmiki’s Ramayana, in which Rama executes a Sudra ascetic named Sambuka, has garnered critical discussion and creative reimagining over the centuries since it was composed. This paper situates the episode as a late addition of the Uttarakanda and its place therein, considering relevant semantic developments of the terms dharma and tapas, and changes in the rigidity of caste boundaries that allegedly took place during this time. Analysis of both pre-modern and modern creative engagements with the Sambukavadha reveal adjustments to the ways in which Rama, Sambuka, and the Brahmana advisors are portrayed and the values and concerns that these changes reflect in the corresponding social and cultural milieux. Finally, the episode as it appears in Anand Neelakanthan’s mythical novel, Asura: Tale of the Vanquished: The Story of Ravana and His People, is considered as recent addition to the living storytelling tradition.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
CiteScore
0.10
自引率
0.00%
发文量
17
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信