小说电影中的观察者与叙事者

IF 0.2 4区 哲学 0 PHILOSOPHY
E. Terrone
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引用次数: 0

摘要

在关于我们参与和欣赏小说电影的辩论中,小说电影的观众想象观察虚构事件的论点,以及这些事件被想象由叙述者呈现的论点,通常被视为一个理论包的两个组成部分,乔治·威尔逊和杰罗德·莱维森等哲学家为其辩护,而格雷戈里·柯里(Gregory Currie)和贝里斯·高特(Berys Gaut)等哲学家则表示反对。本文认为,这两个命题是可以解开的,并探讨了它们之间的逻辑联系。调查表明,第二篇论文包含了第一篇论文,但没有其他内容。因此,支持第一篇论文有两种选择,即支持或放弃第二篇论文。然而,本文认为,如果我们支持第一篇文章,那么支持第二篇文章将为我们对小说电影的参与和欣赏提供更具说服力的解释。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Observers and Narrators in Fiction Film
In the debate on our engagement with and appreciation of fiction films, the thesis that the viewer of a fiction film imagines observing fictional events, and the thesis that these events are imagined to be presented by a narrator, are usually taken as two components of one theoretical package, which philosophers such as George Wilson and Jerrold Levison defend, while philosophers such as Gregory Currie and Berys Gaut reject. This paper argues that the two theses can be disentangled and investigates their logical connection. The investigation shows that the second thesis entails the first but there is no entailment the other way around. Endorsing the first thesis is thus compatible with two options, namely endorsing the second thesis or abandoning it. However, the paper argues that if we endorse the first thesis, endorsing the second provides us with a more compelling explanation of our engagement with and appreciation of fiction films.
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CiteScore
0.20
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15
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