诗意的化身。身体、艺术和尸检

IF 0.5 Q3 SOCIAL SCIENCES, INTERDISCIPLINARY
I. D. Caballero
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引用次数: 0

摘要

这个作品讨论了血液的出现,在necropolitic的背景下模仿身体和生命的丧失,但也通过艺术行为作为一种缺席的光谱浸渍。血的存在削弱了隐喻策略,例如类似暴力场景的人物。也将血液本身作为一种可怜的流动,包括转喻策略,产生分泌物的诗意。从Georges Didi-Huberman的理论阐述中,我感兴趣的是通过朱砂红的效果来解决化身和流血之间的想象联系。本文论述了三位艺术家的行为。里卡多·威斯,罗莎·玛丽亚·罗伯斯和特蕾莎·马戈莱斯。但是,在艺术的风景之外,我试着去思考,在那些被脱离肉体的灾难所玷污的凄惨的风景中,画了什么,扰乱了什么。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Encarnaciones poéticas. Cuerpo, arte y necropolítica
This work talk about the emergence of blood as mimesis of the loss of bodies and lives in a context of necropolitic, but also as a spectral impregnation of absence through artistic actions. The presence of blood has compromised metaphorical strategies, such as figures resembling scenes of violence. And also has committed the blood itself as an abject flow, including metonymic strategies that generate poetics of secretions. From the theoretical elaborations of Georges Didi-Huberman, I am interested in addressing the imaginative link between incarnate and bleeding through the effect of cinnabar red. This text addresses actions of three artists. Ricardo Wiesse, Rosa Maria Robles and Teresa Margoles. But beyond the scenery of art, I try to think what is painted, what is disturbed, in the abject scenaries, stained by the catastrophe of the disincarnate bodies.
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来源期刊
Athenea Digital
Athenea Digital SOCIAL SCIENCES, INTERDISCIPLINARY-
CiteScore
0.80
自引率
0.00%
发文量
41
审稿时长
30 weeks
期刊介绍: Ahora que el fenómeno de la disciplinarización institucional está cada vez más marcado, Athenea Digital promueve la reflexión interdisciplinar en la tradición de las ciencias humanas y sociales. La revista aborda los fenómenos sociales contemporáneos en sus múltiples dimensiones (política, económica, cultural, comunicacional...) y valora la reflexión rigurosa sobre la articulación entre los diferentes dominios de la actividad humana. El principal objetivo de la revista es potenciar el diálogo y la innovación en los estudios sociales y culturales.
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