听觉意象的生动、清晰与控制

T. Hubbard, S. Ruppel
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引用次数: 2

摘要

先前对听觉意象的研究经常混淆生动性和清晰度,这些结构之间的差异尚不清楚。此外,有人认为,在理解听觉意象方面,清晰度比生动性更有用。对参与者进行听觉意象清晰度量表和巴克内尔听觉意象量表,并收集对听觉意象清晰度、生动性和控制力的评分。这三项指标均呈高度正相关。这些相关性的大小不受参与者的性别、年龄、种族、惯用手、参加乐队或合唱团的年限或正式音乐教学的年限的影响,并讨论了缺乏个体差异的可能原因。为理解听觉图像的生动性和听觉图像的清晰度之间的差异,提供了三个类比,并为未来研究中听觉生动性和视觉清晰度的潜在操作定义提出了建议。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Vividness, Clarity, and Control in Auditory Imagery
Previous studies of auditory imagery have often confounded vividness and clarity, and the differences between these constructs are not clear. Additionally, it has been suggested that clarity is a more useful construct than is vividness in understanding auditory imagery. The Clarity of Auditory Imagery Scale and the Bucknell Auditory Imagery Scale were administered to participants, and ratings of the clarity, vividness, and control over auditory imagery were collected. All three measures were highly positively correlated. The magnitudes of these correlations were not influenced by participants’ sex, age, ethnic group, handedness, years of participation in a band or choir, or years of formal instruction in music, and possible reasons for the lack of individual differences are discussed. Three analogies for understanding differences between vividness in auditory imagery and clarity in auditory imagery, and suggestions for potential operational definitions of auditory vividness and auditory clarity in future studies, are provided.
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