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引用次数: 1
摘要
摘要本文考察了乌戈·塔切蒂的四个“奇幻”故事——《里卡多·韦岑》(1867年)、《城堡之歌》(1869年)和《Uno-spirito in Un lampone》(1866年)——并从两个思想在同一空间共存的角度论证了替身的存在,一个是入侵性的,另一个是不情愿的宿主。并非所有共存思想的例子都是一样的,但都会压倒和控制宿主,达到滑稽和致命的目的,但也会产生道德、司法和教育的后果。我认为,这些并不是19世纪奇幻文学中从主人那里出现的外部替身,而是内部替身,其区别在于它们与主人的差异,而不是相似性,因此塔切蒂以其对替身主题的创新态度而脱颖而出。
The Double Within: Coexistent Minds and the Fantastic in Ugo Tarchetti
ABSTRACT This article examines four ‘fantastic’ stories by Ugo Tarchetti — ‘Riccardo Waitzen’ (1867), ‘Le leggende del castello nero’ (1867),‘Un osso di morto’ (1869), and ‘Uno spirito in un lampone’ (1869) — and argues for the presence of a double in terms of a coexistence of two minds in the same space, one invasive, the other an unwilling host. Not all instances of coexistent minds are the same, but all overpower and control their hosts to both farcical and deadly ends but also with moral, judicial and instructive consequences. I argue that these are not the external doppelgängers of nineteenth-century fantastic literature that emerge from the host, but internal doubles that are distinguished by their difference rather than their similarity to their hosts, as a result of which Tarchetti stands out for his innovative take on the theme of the double.