犯罪场景:Jorge Barbi的《El Final》中的风景、记忆和暴行

IF 0.2 4区 艺术学 0 ART
Thomas Austin
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引用次数: 0

摘要

豪尔赫·巴比(Jorge Barbi)的书《终点,在这里》(El Final, Aqui)是一本60幅优美构图的合集,主要是在西班牙各地拍摄的乡村和无人居住的风景。所有这些照片都有一个共同的秘密:这些偏远的地方是犯罪现场,在西班牙内战期间或之后,共和党人被弗朗哥主义者处决的地方。芭比说:“地方不能见证任何事,地方看不见我们;我们重新创造它们[…]似乎什么都没发生过的普通地方,直到它们所包含的无形记忆使它们变得独特。他在El Final的摄影作品的作用就是促成这种转变,积极地将被忽视的地方重新创造为持久的记忆场所。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Crime Scenes: Landscape, Memory and Atrocity in Jorge Barbi’s El Final, Aquí
Jorge Barbi’s book El Final, Aqui (The End, Here) is a collection of 60 beautifully composed, predominantly rural and always uninhabited landscapes taken throughout Spain. All the images share a common secret: these remote locations are crime scenes, out of the way places where Republicans were executed by Francoists during or after the Spanish Civil War. Barbi states: ‘Places are not witnesses of anything, places do not see us; we recreate them [..] common places where apparently nothing ever happened, until the invisible memory they contain fills them with uniqueness.’ The function of his photographs in El Final, Aqui is to precipitate such a shift, to actively recreate overlooked places as abiding sites of memory.
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来源期刊
CiteScore
0.30
自引率
33.30%
发文量
22
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