{"title":"从不和谐到融合:通过印度旅游和遗产地重新谈判法国和葡萄牙的殖民身份","authors":"Diti Bhattacharya, R. Mason","doi":"10.1080/00856401.2023.2200501","DOIUrl":null,"url":null,"abstract":"Abstract This article examines two cities of discordant colonial heritage in India—Chandernagore, a former French colony in West Bengal, and Panjim, a former Portuguese territory in Goa—to demonstrate how these cities experience their colonial identities through heritage spaces. It explores the ways in which the museums and public spaces of these cities use memory and materiality to perform discordant colonial pasts which differ from the dominant narrative of the British Raj. Conceptualising discordance as a framework to trace the unique ways in which the museums and public heritage sites of these two cities mobilise their French and Portuguese colonial heritage, the article shows how these discordant colonial cities distinguish themselves from the British Raj and its legacies. The article affirms these differences not in terms of a duality, but a continual process of convergence and divergence that is mutually constitutive of heritage practices in the cities.","PeriodicalId":46457,"journal":{"name":"South Asia-Journal of South Asian Studies","volume":"46 1","pages":"595 - 611"},"PeriodicalIF":0.5000,"publicationDate":"2023-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"From Discordance to Assemblages: Renegotiating French and Portuguese Colonial Identities through Indian Tourism and Heritage Sites\",\"authors\":\"Diti Bhattacharya, R. Mason\",\"doi\":\"10.1080/00856401.2023.2200501\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract This article examines two cities of discordant colonial heritage in India—Chandernagore, a former French colony in West Bengal, and Panjim, a former Portuguese territory in Goa—to demonstrate how these cities experience their colonial identities through heritage spaces. It explores the ways in which the museums and public spaces of these cities use memory and materiality to perform discordant colonial pasts which differ from the dominant narrative of the British Raj. Conceptualising discordance as a framework to trace the unique ways in which the museums and public heritage sites of these two cities mobilise their French and Portuguese colonial heritage, the article shows how these discordant colonial cities distinguish themselves from the British Raj and its legacies. The article affirms these differences not in terms of a duality, but a continual process of convergence and divergence that is mutually constitutive of heritage practices in the cities.\",\"PeriodicalId\":46457,\"journal\":{\"name\":\"South Asia-Journal of South Asian Studies\",\"volume\":\"46 1\",\"pages\":\"595 - 611\"},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2023-05-04\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"South Asia-Journal of South Asian Studies\",\"FirstCategoryId\":\"90\",\"ListUrlMain\":\"https://doi.org/10.1080/00856401.2023.2200501\",\"RegionNum\":3,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"AREA STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"South Asia-Journal of South Asian Studies","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1080/00856401.2023.2200501","RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"AREA STUDIES","Score":null,"Total":0}
From Discordance to Assemblages: Renegotiating French and Portuguese Colonial Identities through Indian Tourism and Heritage Sites
Abstract This article examines two cities of discordant colonial heritage in India—Chandernagore, a former French colony in West Bengal, and Panjim, a former Portuguese territory in Goa—to demonstrate how these cities experience their colonial identities through heritage spaces. It explores the ways in which the museums and public spaces of these cities use memory and materiality to perform discordant colonial pasts which differ from the dominant narrative of the British Raj. Conceptualising discordance as a framework to trace the unique ways in which the museums and public heritage sites of these two cities mobilise their French and Portuguese colonial heritage, the article shows how these discordant colonial cities distinguish themselves from the British Raj and its legacies. The article affirms these differences not in terms of a duality, but a continual process of convergence and divergence that is mutually constitutive of heritage practices in the cities.