小提琴、中提琴初学音准教学文献分析与综合:音准内容、教学方法与辅助资源

Q1 Arts and Humanities
Fernando López-Calatayud, Roberto Macián-González, Jesús Tejada
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引用次数: 1

摘要

本文分析了小提琴和中提琴早期语调学习的教学文献。通过86种方法的文献分析设计进行分析。选择的分析类别为:(a)内容(音调的数量和音调呈现的顺序);(b)教学法(教学方法和拨奏的使用);辅助性学习资源(书面伴奏和音频资源)。分析的结果使我们得出结论,音调的数量存在很大的差异,随着时间的推移,这种差异会减少。不同的顺序在几乎所有的材料中共存,传统的教学方式在所分析的文献中出现的频率最高。大部分文献都采用了同质化的教学方法,尤其是小提琴。拨奏很少被用作教学资源。在大多数现代文献中,有广泛的书面(伴奏)和记录(减一)辅助资源。基于这些结果,提出了在这些乐器上进行初始语调学习的方法建议。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
An Analysis-Synthesis of the Pedagogical Literature on Intonation in Initial Learning of Violin and Viola: Pitch Contents, Teaching Approaches, and Auxiliary Resources
This work presents an analysis of the didactic literature for the initial learning of intonation on violin and viola. Analysis has been conducted through a document-analysis design of 86 methods. The chosen analytic categories were: (a) contents (number of pitches and sequence of pitches presentation); (b) pedagogy (teaching approach and use of pizzicato); and (c) auxiliary learning resources (written accompaniments and audio resources). The results of the analysis allowed us to conclude that there is a great disparity in the number of pitches, which is reduced with the passage of time. Different sequences coexist in practically all the materials, and the traditional teaching approach occurs the most frequently in the documents analyzed. A homogeneous teaching approach is adopted in most of the documents, especially with the violin. Pizzicato is scarcely used as a didactic resource. There is a wide inclusion of written (accompaniments) and recorded (minus-one) auxiliary resources in the most modern documents. Based on these results, a methodological proposal for the initial learning of intonation on these instruments is presented.
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来源期刊
String Research Journal
String Research Journal Arts and Humanities-History
CiteScore
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