{"title":"墨西哥城的隔离、新冠肺炎和喜剧","authors":"E. Cowling","doi":"10.1080/08831157.2021.2017241","DOIUrl":null,"url":null,"abstract":"Abstract The COVID19 pandemic wreaked havoc on the arts, particularly the performing arts, where live audiences are an important part of the creative process. In spite of the immense roadblocks created by this crisis, artists around the world began to shift their craft online. No where do we see a more rapid shift than in Mexico City, propelled in part by the theater department at the Universidad Nacional Autónoma de México. This paper will look at the ways in which small theater companies were able to move their current productions online in the weeks following the shutdown, and how they evolved over the course of 2020 and into 2021, innovating and creating new digital-theatrical spaces via platforms like Zoom, YouTube, and Facebook live.","PeriodicalId":41843,"journal":{"name":"ROMANCE QUARTERLY","volume":"69 1","pages":"93 - 102"},"PeriodicalIF":0.2000,"publicationDate":"2022-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Confinement, COVID, and the Comedia in Mexico City\",\"authors\":\"E. Cowling\",\"doi\":\"10.1080/08831157.2021.2017241\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract The COVID19 pandemic wreaked havoc on the arts, particularly the performing arts, where live audiences are an important part of the creative process. In spite of the immense roadblocks created by this crisis, artists around the world began to shift their craft online. No where do we see a more rapid shift than in Mexico City, propelled in part by the theater department at the Universidad Nacional Autónoma de México. This paper will look at the ways in which small theater companies were able to move their current productions online in the weeks following the shutdown, and how they evolved over the course of 2020 and into 2021, innovating and creating new digital-theatrical spaces via platforms like Zoom, YouTube, and Facebook live.\",\"PeriodicalId\":41843,\"journal\":{\"name\":\"ROMANCE QUARTERLY\",\"volume\":\"69 1\",\"pages\":\"93 - 102\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2022-04-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ROMANCE QUARTERLY\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/08831157.2021.2017241\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, ROMANCE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ROMANCE QUARTERLY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/08831157.2021.2017241","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, ROMANCE","Score":null,"Total":0}
引用次数: 0
摘要
2019冠状病毒病大流行对艺术,特别是表演艺术造成了严重破坏,现场观众是创作过程的重要组成部分。尽管这场危机造成了巨大的障碍,但世界各地的艺术家开始将他们的手艺转移到网上。墨西哥城的转变最为迅速,这在一定程度上是由墨西哥国立大学(universsidad Nacional) Autónoma de msamuxico的戏剧系推动的。本文将研究在政府停摆后的几周内,小型剧院公司是如何将他们目前的作品转移到网上的,以及它们在2020年到2021年期间是如何发展的,通过Zoom、YouTube和Facebook live等平台创新和创造新的数字剧院空间。
Confinement, COVID, and the Comedia in Mexico City
Abstract The COVID19 pandemic wreaked havoc on the arts, particularly the performing arts, where live audiences are an important part of the creative process. In spite of the immense roadblocks created by this crisis, artists around the world began to shift their craft online. No where do we see a more rapid shift than in Mexico City, propelled in part by the theater department at the Universidad Nacional Autónoma de México. This paper will look at the ways in which small theater companies were able to move their current productions online in the weeks following the shutdown, and how they evolved over the course of 2020 and into 2021, innovating and creating new digital-theatrical spaces via platforms like Zoom, YouTube, and Facebook live.
期刊介绍:
Lorca and Baudelaire, Chrétien de Troyes and Borges. The articles in Romance Quarterly provide insight into classic and contemporary works of literature originating in the Romance languages. The journal publishes historical and interpretative articles primarily on French and Spanish literature but also on Catalan, Italian, Portuguese, and Brazilian literature. RQ contains critical essays and book reviews, mostly in English but also in Romance languages, by scholars from universities all over the world. Romance Quarterly belongs in every department and library of Romance languages.