{"title":"建构文学文本,建构语言历史","authors":"L. Magnusson","doi":"10.1086/706224","DOIUrl":null,"url":null,"abstract":"T his journal and its founding editor, Arthur F. Kinney, have presided over fifty brilliant years of scholarship focused on the English literary Renaissance. While the word “history” has no part in the journal’s title, the overall impetus has been to “historicize”—and not in any single or onedimensional way. If we were to imagine a triumphal procession of the histories that English Literary Renaissance has brought forth, the New Historicism would have the most elaborate chariot, but what a range of other wondrous exhibitions would pass in review—Histories of Genre, Book and Manuscript Culture, Women’s History, Bodies and Passions, Religion and Religious Wars, Cabinets of Curiosity, Politics and Social Class, Gender and Sexuality, Race and Colonialism, Material Culture, even “Things.” I personally would cheer loudest forELR’s Triumph of Women Writers, given that for my generation bred on an all-male canon ELR’s championing of this emergent field was a truly transformative development. The journal and the discipline’s cultural and historical orientation has fostered a seemingly unending emergence of fresh topics and materials for discovery, and there’s little sign of any slowing down: early modern literary scholars today continue to find the historical seeds for animal studies, evocations of climate change, and a deepening engagement with globalism and diversity. The one key “history,” however, that I find without a significant monument in the journal’s past or the discipline’s projections for the future is the history of language. Mymodest proposal in the optative mood for the future of early modern literary studies is for a more innovative and deeply informed engagement with historical linguistics.","PeriodicalId":44199,"journal":{"name":"ENGLISH LITERARY RENAISSANCE","volume":null,"pages":null},"PeriodicalIF":0.6000,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1086/706224","citationCount":"0","resultStr":"{\"title\":\"Construing Literary Texts, Constructing Linguistic History\",\"authors\":\"L. Magnusson\",\"doi\":\"10.1086/706224\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"T his journal and its founding editor, Arthur F. Kinney, have presided over fifty brilliant years of scholarship focused on the English literary Renaissance. While the word “history” has no part in the journal’s title, the overall impetus has been to “historicize”—and not in any single or onedimensional way. If we were to imagine a triumphal procession of the histories that English Literary Renaissance has brought forth, the New Historicism would have the most elaborate chariot, but what a range of other wondrous exhibitions would pass in review—Histories of Genre, Book and Manuscript Culture, Women’s History, Bodies and Passions, Religion and Religious Wars, Cabinets of Curiosity, Politics and Social Class, Gender and Sexuality, Race and Colonialism, Material Culture, even “Things.” I personally would cheer loudest forELR’s Triumph of Women Writers, given that for my generation bred on an all-male canon ELR’s championing of this emergent field was a truly transformative development. 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引用次数: 0
摘要
这本杂志及其创刊编辑亚瑟·f·金尼(Arthur F. Kinney)主持了50多年的辉煌学术研究,重点关注英国文艺复兴时期的文学。虽然杂志的标题中没有“历史”这个词,但总体的推动力是“历史化”——而不是以任何单一或单向的方式。如果我们想象英国文学文艺复兴带来的历史的胜利游行,新历史主义将拥有最精致的战车,但其他一系列奇妙的展览将在评论中通过-体体史,书籍和手稿文化,女性历史,身体和激情,宗教和宗教战争,好奇柜,政治和社会阶级,性别和性,种族和殖民主义,物质文化,甚至“事物”。我个人会为《女作家的胜利》大声欢呼,因为对于我们这代人来说,《女作家的胜利》是一个全男性的经典,《女作家的胜利》对这个新兴领域的拥护是一个真正的变革。该杂志和该学科的文化和历史取向,已经培养了一个看似永无止境的新主题和新材料的发现,而且几乎没有任何放缓的迹象:早期现代文学学者今天继续寻找动物研究的历史种子,唤起气候变化,并加深与全球主义和多样性的接触。然而,我发现,在该期刊的过去或该学科对未来的预测中,没有一个重要的“历史”是语言的历史。对于早期现代文学研究的未来,我的建议是对历史语言学进行更创新、更深入的研究。
Construing Literary Texts, Constructing Linguistic History
T his journal and its founding editor, Arthur F. Kinney, have presided over fifty brilliant years of scholarship focused on the English literary Renaissance. While the word “history” has no part in the journal’s title, the overall impetus has been to “historicize”—and not in any single or onedimensional way. If we were to imagine a triumphal procession of the histories that English Literary Renaissance has brought forth, the New Historicism would have the most elaborate chariot, but what a range of other wondrous exhibitions would pass in review—Histories of Genre, Book and Manuscript Culture, Women’s History, Bodies and Passions, Religion and Religious Wars, Cabinets of Curiosity, Politics and Social Class, Gender and Sexuality, Race and Colonialism, Material Culture, even “Things.” I personally would cheer loudest forELR’s Triumph of Women Writers, given that for my generation bred on an all-male canon ELR’s championing of this emergent field was a truly transformative development. The journal and the discipline’s cultural and historical orientation has fostered a seemingly unending emergence of fresh topics and materials for discovery, and there’s little sign of any slowing down: early modern literary scholars today continue to find the historical seeds for animal studies, evocations of climate change, and a deepening engagement with globalism and diversity. The one key “history,” however, that I find without a significant monument in the journal’s past or the discipline’s projections for the future is the history of language. Mymodest proposal in the optative mood for the future of early modern literary studies is for a more innovative and deeply informed engagement with historical linguistics.
期刊介绍:
English Literary Renaissance is a journal devoted to current criticism and scholarship of Tudor and early Stuart English literature, 1485-1665, including Shakespeare, Spenser, Donne, and Milton. It is unique in featuring the publication of rare texts and newly discovered manuscripts of the period and current annotated bibliographies of work in the field. It is illustrated with contemporary woodcuts and engravings of Renaissance England and Europe.