A Flowering of Memory

In June 1945, Zora Neale Hurston wrote to W. E. B. Du Bois to propose a plan to create a Black cemetery to house the remains of famous Black Americans in Florida. Hurston suggested Florida because the state’s climate guaranteed the cemetery would be verdant year-round, and she included a landscaping plan of the flowers and trees she desired to furnish her memorial garden. As an initiate of New Orleans Hoodoo-Vodou, Hurston’s ontology of spirit allowed for the presence of the ancestors to indwell the living form of flowers, trees, and other topographical features of the land. I contextualize Hurston’s cemetery within an extended genealogy of Black necrogeography and the study of Black American deathscapes, examining the entangled relationship of Black gardening and Black burial practices as engendering a distinct ecology of root-working in which Black women gardeners propagate new forms of life in the very dust of our decomposition.