视觉隐喻:伯修斯哲学慰藉与诺里奇展览中的视觉、疾病与空间

IF 0.2 0 MEDIEVAL & RENAISSANCE STUDIES
Gillian Adler
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引用次数: 0

摘要

摘要:尽管波伊修斯的《哲学的慰藉》和朱利安的《诺维奇的展览》与中世纪不同的幻想传统有关,但这些作品中对视觉、疾病和空间的共同隐喻表明,它们实际上可以在同一文本群体中阅读。Boethius和Julian使用视觉形式展示了个人转变和精神照明如何依赖于看似限制性的禁闭空间。这些作者同样强调视觉是精神洞察力的隐喻,疾病是康复的机会,因为他们将身体细胞的意义多元化。对空间取向和物理环境的关注强调了两位作者富有远见的经历的启示性表达,并破坏了奥古斯丁对身体和灵魂划分的传统态度。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Visionary Metaphors: Sight, Sickness, and Space in Boethius's Consolation of Philosophy and Julian of Norwich's Showings
abstract:Although Boethius's Consolation of Philosophy and Julian of Norwich's Showings are associated with different visionary traditions of the Middle Ages, the shared metaphors of sight, sickness, and space in these works suggest that they in fact may be read within the same textual community. Using the vision form, Boethius and Julian demonstrate how personal transformation and spiritual illumination depend upon spaces of seemingly restrictive confinement. These authors similarly stress the idea of vision as a metaphor for spiritual insight and sickness as the opportunity for recuperation, as they pluralize the meaning of their physical cells. The attention to spatial orientation and physical circumstance emphasizes the cataphatic articulation of both authors' visionary experiences and undermines traditional Augustinian attitudes toward the division of body and soul.
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来源期刊
Journal of Medieval Religious Cultures
Journal of Medieval Religious Cultures MEDIEVAL & RENAISSANCE STUDIES-
CiteScore
0.30
自引率
0.00%
发文量
26
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