所有的父亲都是虚构的:这不是我父亲的鞋子——一个实践者对创作自传体表演过程的反思。

IF 0.2 0 DANCE

Journal of Dance & Somatic Practices Pub Date : 2019-12-01 DOI:10.1386/jdsp_00007_1

Helen Poynor

{"title":"所有的父亲都是虚构的:这不是我父亲的鞋子——一个实践者对创作自传体表演过程的反思。","authors":"Helen Poynor","doi":"10.1386/jdsp_00007_1","DOIUrl":null,"url":null,"abstract":"Abstract A practitioner's reflections on the personal and artistic journey undertaken in the creation and performance of These are not my Father's Shoes, an autobiographical performance inspired by the author's relationship with her father. Both the Halprin Life/Art Process\n and the RSVP cycles are referenced as part of the working process.","PeriodicalId":41455,"journal":{"name":"Journal of Dance & Somatic Practices","volume":"11 1","pages":"227-234"},"PeriodicalIF":0.2000,"publicationDate":"2019-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"All fathers are fictional : These are not my Father's Shoes ‐ a practitioner's reflections on the process of creating autobiographical performance.\",\"authors\":\"Helen Poynor\",\"doi\":\"10.1386/jdsp_00007_1\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract A practitioner's reflections on the personal and artistic journey undertaken in the creation and performance of These are not my Father's Shoes, an autobiographical performance inspired by the author's relationship with her father. Both the Halprin Life/Art Process\\n and the RSVP cycles are referenced as part of the working process.\",\"PeriodicalId\":41455,\"journal\":{\"name\":\"Journal of Dance & Somatic Practices\",\"volume\":\"11 1\",\"pages\":\"227-234\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2019-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Dance & Somatic Practices\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1386/jdsp_00007_1\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"DANCE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Dance & Somatic Practices","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/jdsp_00007_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"DANCE","Score":null,"Total":0}

引用次数: 1

摘要

摘要一位从业者对《这些不是我父亲的鞋》创作和表演中所经历的个人和艺术旅程的反思，这是一场受作者与父亲关系启发的自传体表演。Halprin生活/艺术流程和RSVP周期均作为工作流程的一部分。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

查看原文本刊更多论文

All fathers are fictional : These are not my Father's Shoes ‐ a practitioner's reflections on the process of creating autobiographical performance.

Abstract A practitioner's reflections on the personal and artistic journey undertaken in the creation and performance of These are not my Father's Shoes, an autobiographical performance inspired by the author's relationship with her father. Both the Halprin Life/Art Process and the RSVP cycles are referenced as part of the working process.

求助全文

通过发布文献求助，成功后即可免费获取论文全文。去求助

来源期刊

Journal of Dance & Somatic Practices DANCE-

CiteScore

0.20

自引率

0.00%

发文量

期刊介绍： The Journal of Dance and Somatic Practices is an international refereed journal published twice a year. It has been in publication since 2009 for scholars and practitioners whose research interests focus on the relationship between dance and somatic practices, and the influence that this body of practice exerts on the wider performing arts. In recent years, somatic practices have become more central to many artists'' work and have become more established within educational and training programmes. Despite this, as a body of work it has remained largely at the margins of scholarly debate, finding its presence predominantly through the embodied knowledge of practitioners and their performative contributions. This journal provides a space to debate the work, to consider the impact and influence of the work on performance and discuss the implications for research and teaching. The journal serves a broad international community and invites contributions from a wide range of discipline areas. Particular features include writings that consciously traverse the boundaries between text and performance, taking the form of ‘visual essays'', interviews with leading practitioners, book reviews, themed issues and conference/symposium reports.