终于和平了?Gene Oishi的Fox Drum Bebop和日裔美国人拘留营的最后回忆

Q3 Arts and Humanities
Anglica Pub Date : 2021-09-01 DOI:10.7311/0860-5734.30.3.06
Nicholas Birns
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引用次数: 0

摘要

Gene Oishi的自传体和情节小说《Fox Drum Bebop》(2014)可能是第二次世界大战期间美国政府监禁日裔美国人的拘留营中的一名被拘留者出版的最后一部小说之一。因此,它提出了关于时间性、再现性和创伤过程的复杂问题。通过关注主人公河野浩史(主要但不限于,基于大分自己的生活经历)和他的兄弟姐妹,他们对自己的种族身份和战争经历有着不同的意识形态反应,Oishi探索了拘留是如何同时持续一段确定的时间,但在记忆持续的时间里,它在空间上继续延伸,在时间上扩张。这部小说使用爵士乐的音乐美学作为这种不连续的体验过程的关联。Oishi的叙述询问那些遭受压迫和创伤的人是否能找到和平,以及长寿和反思过去如何改变人们对所发生事情的感觉。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
At Peace Finally? Gene Oishi’s Fox Drum Bebop and the Last Memories of Japanese American Internment Camps
Gene Oishi’s autobiographical and episodic novel Fox Drum Bebop (2014) will likely be one of the final novels published by someone who was an internee in the detention camps in which the US government imprisoned Japanese Americans during the Second World War. As such, it presents complicated questions about temporality, rep- resentation, and the processes of trauma. Through focusing on the protagonist Hiroshi Kono (largely, though not restrictively, based on Oishi’s own life experience) and his siblings who have distinct ideological reactions to their ethnic identity and their wartime experience, Oishi explores how internment at once lasted for a determinate period but continues to extend in space and dilate in time for as long as the memories of it endure. The novel uses the musical aesthetics of jazz as a correlate for this discontinuous process- ing of experience. Oishi’s narrative asks if those who suffer oppression and trauma can ever find peace, and how, if at all, having a long life and reflecting upon the past can alter one’s sense of what happened.
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来源期刊
Anglica
Anglica Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
自引率
0.00%
发文量
18
审稿时长
26 weeks
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