gaita zuliana歌词中对非裔委内瑞拉人的态度:1965-1985

Q1 Social Sciences
Gabriel E Andrade
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引用次数: 0

摘要

摘要与大多数拉丁美洲国家一样,委内瑞拉传统上信奉种族民主的例外主义神话。这并不意味着该国不存在种族主义。家长式的态度和对非裔委内瑞拉人的有害刻板印象渗透到整个流行文化产品中。本文探讨了祖利亚州流行音乐流派gaita zuliana对非洲裔委内瑞拉人的态度。为了做到这一点,我对一些流行的盖塔歌曲的歌词进行了分析,这些歌曲创作于1965年至1985年的盖塔黄金时代。我的结论是,尽管盖塔·祖利亚纳借鉴了种族主义历史上的许多比喻,但它仍然有可能成为支持从种族压迫中解放出来的激进主义者。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Attitudes towards Afro-Venezuelans in lyrics of gaita zuliana: 1965–1985
ABSTRACT As with most Latin American nations, Venezuela has traditionally embraced the exceptionalist myth that it is a racial democracy. That does not mean racism is absent in that country. A combination of paternalist attitudes and pernicious stereotypes towards Afro-Venezuelans permeates throughout pop culture products. This article explores the attitudes towards AfroVenezuelans in gaita zuliana, a popular music genre in Zulia state. To do so, I rely on analysis of lyrics of some popular gaita songs, composed during the golden age of gaita, 1965–1985. I conclude that, although gaita zuliana draws upon many tropes from the history of racism, it nevertheless has potential for activism in favor of liberation from racial oppression.
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来源期刊
African and Black Diaspora
African and Black Diaspora Social Sciences-Cultural Studies
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