{"title":"承担责任:YouTube视频在英国操练音乐犯罪化中的作用","authors":"Tilman Schwarze, Lambros Fatsis","doi":"10.1017/S0261143022000563","DOIUrl":null,"url":null,"abstract":"Abstract UK drill music frequently features as a prime suspect in newsrooms and courtrooms that charge it with driving the ‘knife crime epidemic’ in Britain's major conurbations. Such prejudicial assumptions about the role of drill in inciting violence are largely unfounded, but nevertheless inform criminal justice policy that leads to unjust and discriminatory outcomes. While drill rappers consciously post violent content on YouTube to increase viewership and gain popularity, the role of YouTube in facilitating and profiting from this traffic in violent imagery is rarely questioned in criminal proceedings – enabling, as it does, the weaponisation of such videos as ‘bad character evidence’ in court. Drawing on a selection of YouTube videos that represent drill rappers as dangerous ‘criminals’, this article argues that such videos function as a resource for the criminalisation of drill by police and prosecutors who present drill lyrics as personal testimony that is robbed of its fictive qualities, and makes rappers vulnerable to prejudicial ruling and discriminatory treatment within the criminal justice system.","PeriodicalId":46171,"journal":{"name":"Popular Music","volume":"41 1","pages":"463 - 480"},"PeriodicalIF":0.7000,"publicationDate":"2022-11-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Copping the blame: the role of YouTube videos in the criminalisation of UK drill music\",\"authors\":\"Tilman Schwarze, Lambros Fatsis\",\"doi\":\"10.1017/S0261143022000563\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract UK drill music frequently features as a prime suspect in newsrooms and courtrooms that charge it with driving the ‘knife crime epidemic’ in Britain's major conurbations. Such prejudicial assumptions about the role of drill in inciting violence are largely unfounded, but nevertheless inform criminal justice policy that leads to unjust and discriminatory outcomes. While drill rappers consciously post violent content on YouTube to increase viewership and gain popularity, the role of YouTube in facilitating and profiting from this traffic in violent imagery is rarely questioned in criminal proceedings – enabling, as it does, the weaponisation of such videos as ‘bad character evidence’ in court. Drawing on a selection of YouTube videos that represent drill rappers as dangerous ‘criminals’, this article argues that such videos function as a resource for the criminalisation of drill by police and prosecutors who present drill lyrics as personal testimony that is robbed of its fictive qualities, and makes rappers vulnerable to prejudicial ruling and discriminatory treatment within the criminal justice system.\",\"PeriodicalId\":46171,\"journal\":{\"name\":\"Popular Music\",\"volume\":\"41 1\",\"pages\":\"463 - 480\"},\"PeriodicalIF\":0.7000,\"publicationDate\":\"2022-11-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Popular Music\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1017/S0261143022000563\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Popular Music","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/S0261143022000563","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
Copping the blame: the role of YouTube videos in the criminalisation of UK drill music
Abstract UK drill music frequently features as a prime suspect in newsrooms and courtrooms that charge it with driving the ‘knife crime epidemic’ in Britain's major conurbations. Such prejudicial assumptions about the role of drill in inciting violence are largely unfounded, but nevertheless inform criminal justice policy that leads to unjust and discriminatory outcomes. While drill rappers consciously post violent content on YouTube to increase viewership and gain popularity, the role of YouTube in facilitating and profiting from this traffic in violent imagery is rarely questioned in criminal proceedings – enabling, as it does, the weaponisation of such videos as ‘bad character evidence’ in court. Drawing on a selection of YouTube videos that represent drill rappers as dangerous ‘criminals’, this article argues that such videos function as a resource for the criminalisation of drill by police and prosecutors who present drill lyrics as personal testimony that is robbed of its fictive qualities, and makes rappers vulnerable to prejudicial ruling and discriminatory treatment within the criminal justice system.
期刊介绍:
Popular Music is an international multi-disciplinary journal covering all aspects of the subject - from the formation of social group identities through popular music, to the workings of the global music industry, to how particular pieces of music are put together. The journal includes all kinds of popular music, whether rap or rai, jazz or rock, from any historical era and any geographical location. Popular Music carries articles by scholars from a variety of disciplines and theoretical perspectives. Each issue contains substantial, authoritative and influential articles, topical pieces, and reviews of a wide range of books.