{"title":"Witkacy的《杰丹wyjście》中即兴创作的痕迹","authors":"Tomasz Bocheński","doi":"10.18778/1505-9057.64.06","DOIUrl":null,"url":null,"abstract":"In the article I have analysed the concept of improvisation recorded in Jedyne wyjście by Witkacy. He described the notion as unconstrained variation-based creation flowing from an inspired vision. Witkacy considered vision as the most fundamental source element of artistic theory and creative practice. I have also analysed the traces of improvisation in the manuscript of Jedyne wyjście and I have discussed the play between amplifications and visions recorded in the improvised fragments.","PeriodicalId":32744,"journal":{"name":"Acta Universitatis Lodziensis Folia Litteraria Polonica","volume":" ","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Traces of improvisation in \\\"Jedyne wyjście\\\" by Witkacy\",\"authors\":\"Tomasz Bocheński\",\"doi\":\"10.18778/1505-9057.64.06\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In the article I have analysed the concept of improvisation recorded in Jedyne wyjście by Witkacy. He described the notion as unconstrained variation-based creation flowing from an inspired vision. Witkacy considered vision as the most fundamental source element of artistic theory and creative practice. I have also analysed the traces of improvisation in the manuscript of Jedyne wyjście and I have discussed the play between amplifications and visions recorded in the improvised fragments.\",\"PeriodicalId\":32744,\"journal\":{\"name\":\"Acta Universitatis Lodziensis Folia Litteraria Polonica\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2022-06-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Acta Universitatis Lodziensis Folia Litteraria Polonica\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.18778/1505-9057.64.06\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Acta Universitatis Lodziensis Folia Litteraria Polonica","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.18778/1505-9057.64.06","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Traces of improvisation in "Jedyne wyjście" by Witkacy
In the article I have analysed the concept of improvisation recorded in Jedyne wyjście by Witkacy. He described the notion as unconstrained variation-based creation flowing from an inspired vision. Witkacy considered vision as the most fundamental source element of artistic theory and creative practice. I have also analysed the traces of improvisation in the manuscript of Jedyne wyjście and I have discussed the play between amplifications and visions recorded in the improvised fragments.
求助内容：
应助结果提醒方式：
京公网安备 11010802042870号
