{"title":"两位伊比利亚女王的代表：古斯曼的路易莎和奥地利的玛丽安娜","authors":"M. Llorente","doi":"10.1080/14629712.2022.2137343","DOIUrl":null,"url":null,"abstract":"This essay will examine and compare some portraits of the Spanish queen Mariana of Habsburg (1634–1696) with others of Luisa of Guzmán (1613–1666), the first Braganza queen of Portugal, in order to explore and identify the roles they played as brides and queen consorts. It also proposes to ascertain how the identity of both women was constructed to portay them as queens. Mariana’s portraits are numerous and varied but the same cannot be said of those of Luisa, as few portraits of this queen remain due to the destruction caused by the Lisbon earthquake in 1755.","PeriodicalId":37034,"journal":{"name":"Court Historian","volume":"27 1","pages":"245 - 263"},"PeriodicalIF":0.0000,"publicationDate":"2022-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Representation of Two Iberian Queens: Luisa of Guzmán and Mariana of Austria\",\"authors\":\"M. Llorente\",\"doi\":\"10.1080/14629712.2022.2137343\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This essay will examine and compare some portraits of the Spanish queen Mariana of Habsburg (1634–1696) with others of Luisa of Guzmán (1613–1666), the first Braganza queen of Portugal, in order to explore and identify the roles they played as brides and queen consorts. It also proposes to ascertain how the identity of both women was constructed to portay them as queens. Mariana’s portraits are numerous and varied but the same cannot be said of those of Luisa, as few portraits of this queen remain due to the destruction caused by the Lisbon earthquake in 1755.\",\"PeriodicalId\":37034,\"journal\":{\"name\":\"Court Historian\",\"volume\":\"27 1\",\"pages\":\"245 - 263\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-09-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Court Historian\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/14629712.2022.2137343\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Court Historian","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/14629712.2022.2137343","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
The Representation of Two Iberian Queens: Luisa of Guzmán and Mariana of Austria
This essay will examine and compare some portraits of the Spanish queen Mariana of Habsburg (1634–1696) with others of Luisa of Guzmán (1613–1666), the first Braganza queen of Portugal, in order to explore and identify the roles they played as brides and queen consorts. It also proposes to ascertain how the identity of both women was constructed to portay them as queens. Mariana’s portraits are numerous and varied but the same cannot be said of those of Luisa, as few portraits of this queen remain due to the destruction caused by the Lisbon earthquake in 1755.
求助内容：
应助结果提醒方式：
京公网安备 11010802042870号
