{"title":"奥斯卡·米肖无声电影《在我们的门口》中黑人男子气概的表现","authors":"Fatma Chenini","doi":"10.1515/rjes-2020-0005","DOIUrl":null,"url":null,"abstract":"Abstract My paper focuses on studying the representations of black masculinity in the Harlem Renaissance’s discourse, and investigates how these representations challenged the limited, reductive and one-dimensional stereotypes which were adopted and further disseminated by the popular culture of the time. To do so, I will analyze a number of black male characters depicted in the silent film, Within Our Gates (1920), of the African American filmmaker Oscar Micheaux.","PeriodicalId":30681,"journal":{"name":"Romanian Journal of English Studies","volume":"17 1","pages":"31 - 37"},"PeriodicalIF":0.0000,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Representations of Black Masculinity in Oscar Micheaux’s Silent Film Within Our Gates\",\"authors\":\"Fatma Chenini\",\"doi\":\"10.1515/rjes-2020-0005\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract My paper focuses on studying the representations of black masculinity in the Harlem Renaissance’s discourse, and investigates how these representations challenged the limited, reductive and one-dimensional stereotypes which were adopted and further disseminated by the popular culture of the time. To do so, I will analyze a number of black male characters depicted in the silent film, Within Our Gates (1920), of the African American filmmaker Oscar Micheaux.\",\"PeriodicalId\":30681,\"journal\":{\"name\":\"Romanian Journal of English Studies\",\"volume\":\"17 1\",\"pages\":\"31 - 37\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Romanian Journal of English Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1515/rjes-2020-0005\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Romanian Journal of English Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1515/rjes-2020-0005","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Representations of Black Masculinity in Oscar Micheaux’s Silent Film Within Our Gates
Abstract My paper focuses on studying the representations of black masculinity in the Harlem Renaissance’s discourse, and investigates how these representations challenged the limited, reductive and one-dimensional stereotypes which were adopted and further disseminated by the popular culture of the time. To do so, I will analyze a number of black male characters depicted in the silent film, Within Our Gates (1920), of the African American filmmaker Oscar Micheaux.