{"title":"转录爵士唱片的铅片般的和弦进程","authors":"Gabriel Durán;Patricio de la Cuadra","doi":"10.1162/comj_a_00579","DOIUrl":null,"url":null,"abstract":"The vast majority of research on automatic chord transcription has been developed and tested on databases mainly focused on genres like pop and rock. Jazz is strongly based on improvisation, however, and the way harmony is interpreted is different from many other genres, causing state-of-the-art chord transcription systems to achieve poor performance. This article presents a computational system that transcribes chords from jazz recordings, addressing the specific challenges they present and considering their inherent musical aspects. Taking the raw audio and minor manually obtained inputs from the user, the system can jointly transcribe chords and detect the beat of a recording, allowing a lead sheet–like rendering as output. The analysis is implemented in two parts. First, all segments with a repeating chord progression (the chorus) are aligned based on their musical content using dynamic time warping. Second, the aligned segments are mixed and a convolutional recurrent neural network is used to simultaneously detect beats and transcribe chords. This automatic chord transcription system is trained and tested on jazz recordings only, and achieves better performance than other systems trained on larger databases that are not jazz specific. Additionally, it combines the beat-detection and chord transcription tasks, allowing the creation of a lead sheet–like representation that is easy to interpret by both researchers and musicians.","PeriodicalId":50639,"journal":{"name":"Computer Music Journal","volume":"44 4","pages":"26-42"},"PeriodicalIF":0.4000,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Transcribing Lead Sheet-Like Chord Progressions of Jazz Recordings\",\"authors\":\"Gabriel Durán;Patricio de la Cuadra\",\"doi\":\"10.1162/comj_a_00579\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The vast majority of research on automatic chord transcription has been developed and tested on databases mainly focused on genres like pop and rock. Jazz is strongly based on improvisation, however, and the way harmony is interpreted is different from many other genres, causing state-of-the-art chord transcription systems to achieve poor performance. This article presents a computational system that transcribes chords from jazz recordings, addressing the specific challenges they present and considering their inherent musical aspects. Taking the raw audio and minor manually obtained inputs from the user, the system can jointly transcribe chords and detect the beat of a recording, allowing a lead sheet–like rendering as output. The analysis is implemented in two parts. First, all segments with a repeating chord progression (the chorus) are aligned based on their musical content using dynamic time warping. Second, the aligned segments are mixed and a convolutional recurrent neural network is used to simultaneously detect beats and transcribe chords. This automatic chord transcription system is trained and tested on jazz recordings only, and achieves better performance than other systems trained on larger databases that are not jazz specific. Additionally, it combines the beat-detection and chord transcription tasks, allowing the creation of a lead sheet–like representation that is easy to interpret by both researchers and musicians.\",\"PeriodicalId\":50639,\"journal\":{\"name\":\"Computer Music Journal\",\"volume\":\"44 4\",\"pages\":\"26-42\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2021-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Computer Music Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://ieeexplore.ieee.org/document/9655695/\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"COMPUTER SCIENCE, INTERDISCIPLINARY APPLICATIONS\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Computer Music Journal","FirstCategoryId":"1085","ListUrlMain":"https://ieeexplore.ieee.org/document/9655695/","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"COMPUTER SCIENCE, INTERDISCIPLINARY APPLICATIONS","Score":null,"Total":0}
Transcribing Lead Sheet-Like Chord Progressions of Jazz Recordings
The vast majority of research on automatic chord transcription has been developed and tested on databases mainly focused on genres like pop and rock. Jazz is strongly based on improvisation, however, and the way harmony is interpreted is different from many other genres, causing state-of-the-art chord transcription systems to achieve poor performance. This article presents a computational system that transcribes chords from jazz recordings, addressing the specific challenges they present and considering their inherent musical aspects. Taking the raw audio and minor manually obtained inputs from the user, the system can jointly transcribe chords and detect the beat of a recording, allowing a lead sheet–like rendering as output. The analysis is implemented in two parts. First, all segments with a repeating chord progression (the chorus) are aligned based on their musical content using dynamic time warping. Second, the aligned segments are mixed and a convolutional recurrent neural network is used to simultaneously detect beats and transcribe chords. This automatic chord transcription system is trained and tested on jazz recordings only, and achieves better performance than other systems trained on larger databases that are not jazz specific. Additionally, it combines the beat-detection and chord transcription tasks, allowing the creation of a lead sheet–like representation that is easy to interpret by both researchers and musicians.
期刊介绍:
Computer Music Journal is published quarterly with an annual sound and video anthology containing curated music¹. For four decades, it has been the leading publication about computer music, concentrating fully on digital sound technology and all musical applications of computers. This makes it an essential resource for musicians, composers, scientists, engineers, computer enthusiasts, and anyone exploring the wonders of computer-generated sound.
Edited by experts in the field and featuring an international advisory board of eminent computer musicians, issues typically include:
In-depth articles on cutting-edge research and developments in technology, methods, and aesthetics of computer music
Reports on products of interest, such as new audio and MIDI software and hardware
Interviews with leading composers of computer music
Announcements of and reports on conferences and courses in the United States and abroad
Publication, event, and recording reviews
Tutorials, letters, and editorials
Numerous graphics, photographs, scores, algorithms, and other illustrations.