Paracca家族的建筑师和Druja犹太教堂:18世纪“维尔纽斯巴洛克”的大赞助人和犹太客户

IF 0.1 0 ART
R. Noyes, Rūstis Kamuntavičius
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引用次数: 0

摘要

摘要:本文通过对意大利移民建筑师和泥瓦匠帕拉卡家族(Paracca)为德鲁贾犹太教堂(约1765年至1766年)的文化和历史背景的个案研究,探讨了犹太人在18世纪意大利和波兰立陶宛联邦之间艺术交流中的作用。德鲁贾犹太教堂是由该地区统治贵族家庭的新兴犹太社区建造的。本文探讨了Druja犹太教堂周围的环境,作为大公国晚期巴洛克-洛可可建筑的所谓“维尔纽斯巴洛克”学派的表现。犹太教堂的设计复兴了过去的宏伟,并代表了意大利的概念,以纪念波罗的海天主教的赞助人和犹太客户。犹太人作为地缘政治、精神和文化十字路口的继承者和调解者出现在德鲁亚,这是一个历史转折点,当时概念地理的新兴分支产生了“东欧”的概念。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Paracca Family of Architects and Druja Synagogue: Magnate Patrons and Jewish Clients of Eighteenth-century "Vilnius Baroque"
Abstract:This article explores Jews' role in mediating artistic exchange between Italy and the Polish–Lithuanian Commonwealth in the eighteenth century, through a case study examining the cultural and historical context surrounding the construction of the Druja synagogue (ca. 1765–1766) by the Paracca family of immigrant Italian architects and masons, for the burgeoning Jewish community affiliated with the region's reigning noble families. The article explores the circumstances surrounding the Druja synagogue as a manifestation of the so-called "Vilnius Baroque" school of late Baroque–Rococo architecture in the Grand Duchy. The synagogue design reanimated the grandeur of the past and represented notions of Italy in honor of Baltic Catholic patrons and Jewish clients. Jews emerge as scions and mediators of the geopolitical, spiritual and cultural crossroads at Druja, a historical inflection point when emerging divisions of conceptual geography gave rise to the notion of an "eastern Europe."
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