{"title":"模棱两可的预期","authors":"T. Pedersen","doi":"10.3167/cja.2019.370107","DOIUrl":null,"url":null,"abstract":"What if war is not hell? What if war is not entertainment? What if war is, instead, the\nstuff dreams are made of? What is one then to anticipate of one’s tour of duty in a war\nzone? In this article, I interrogate anticipations in relation to soldierly becomings\nthrough deployment to Afghanistan. Based on ethnographic fieldwork with Danish\ncombat troops, I explore the uneasy coexistence of two anticipatory plotlines: ‘the\npassion’ and ‘the desert’. The former depicts the tour of duty as a heroic adventure\ndriven by desire for real combat, while the latter casts deployment as an anti-heroic\nmisadventure imposed by the dull reality in theatre. I argue that anticipation can\nharbour ambivalent, even antagonistic, yet simultaneous expectations of what might\ncome. I show that anticipation is further blurred, as our anticipatory horizons are\ntied not only to our unsettled plotlines of becoming but also to our being’s existential\nimperative.","PeriodicalId":0,"journal":{"name":"","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.3167/cja.2019.370107","citationCount":"1","resultStr":"{\"title\":\"Ambivalent Anticipations\",\"authors\":\"T. Pedersen\",\"doi\":\"10.3167/cja.2019.370107\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"What if war is not hell? What if war is not entertainment? What if war is, instead, the\\nstuff dreams are made of? What is one then to anticipate of one’s tour of duty in a war\\nzone? In this article, I interrogate anticipations in relation to soldierly becomings\\nthrough deployment to Afghanistan. Based on ethnographic fieldwork with Danish\\ncombat troops, I explore the uneasy coexistence of two anticipatory plotlines: ‘the\\npassion’ and ‘the desert’. The former depicts the tour of duty as a heroic adventure\\ndriven by desire for real combat, while the latter casts deployment as an anti-heroic\\nmisadventure imposed by the dull reality in theatre. I argue that anticipation can\\nharbour ambivalent, even antagonistic, yet simultaneous expectations of what might\\ncome. I show that anticipation is further blurred, as our anticipatory horizons are\\ntied not only to our unsettled plotlines of becoming but also to our being’s existential\\nimperative.\",\"PeriodicalId\":0,\"journal\":{\"name\":\"\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0,\"publicationDate\":\"2019-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.3167/cja.2019.370107\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3167/cja.2019.370107\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3167/cja.2019.370107","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
What if war is not hell? What if war is not entertainment? What if war is, instead, the
stuff dreams are made of? What is one then to anticipate of one’s tour of duty in a war
zone? In this article, I interrogate anticipations in relation to soldierly becomings
through deployment to Afghanistan. Based on ethnographic fieldwork with Danish
combat troops, I explore the uneasy coexistence of two anticipatory plotlines: ‘the
passion’ and ‘the desert’. The former depicts the tour of duty as a heroic adventure
driven by desire for real combat, while the latter casts deployment as an anti-heroic
misadventure imposed by the dull reality in theatre. I argue that anticipation can
harbour ambivalent, even antagonistic, yet simultaneous expectations of what might
come. I show that anticipation is further blurred, as our anticipatory horizons are
tied not only to our unsettled plotlines of becoming but also to our being’s existential
imperative.