中国当代艺术史写作的新范式1

IF 0.4 3区哲学 0 ASIAN STUDIES

CONTEMPORARY CHINESE THOUGHT Pub Date : 2020-01-02 DOI:10.1080/10971467.2020.1768755

Luo Le

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引用次数: 0

摘要

摘要本文以线性的艺术史写作，探讨了在传统艺术史后现代解体后，作为艺术批评新范式的查昌平对开创中国艺术的人文批评。它介绍了扎“世界关系美学”核心的“七个形成因素”，一方面，它测量了时代的脉搏，另一方面，试图揭示这一代先锋艺术家的知识观和艺术输出的内在关系逻辑。

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A New Paradigm in Chinese Contemporary Art History Writing1

Abstract This paper explores Zha Changping’s humanistic criticism of pioneering Chinese art as a new paradigm in art criticism after the postmodern disintegration of traditional art history with its linear art history writing. It introduces the “seven forming factors” at the heart of Zha’s “world relational aesthetics,” which, on one hand, gauges the pulse of the time, while on the other hand seeking to uncover the underlying relational logic informing this generation of pioneering artists’ intellectual outlook and artistic output.

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来源期刊

CONTEMPORARY CHINESE THOUGHT Multiple-

CiteScore

0.10

自引率

0.00%

发文量

期刊介绍： This wide ranging journal is essential reading for anyone who wants to understand the diverse themes and influences that shape Chinese thought today. It features translations of the most current and influential Chinese writings on all aspects of philosophical endeavor, from theoretical essays on systems to studies of China"s cultural and religious development, from interpretations of the Chinese classics to exegeses on Marxist thought.