“女人的脸和孩子的身体”:波姬·小丝和儿童性取向

IF 0.6 3区 社会学 Q3 CULTURAL STUDIES
Kristen Hatch
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引用次数: 0

摘要

20世纪70年代,童星兼模特波姬·小丝成为了儿童性行为和恋童癖危机的引爆点。希尔兹将一个孩子的身体和一张女人的脸令人不安地结合在一起,打破了启蒙运动以来蓬勃发展的童年形象,并指出了一种新的范式,这种范式在此后的几十年里变得更加突出。这篇文章探讨了儿童解放主义者认为儿童是性存在的观点如何帮助塑造了希尔兹作为成年男性欲望对象的公众形象,即使她的名人成为新兴女权主义论点的载体,即必须保护儿童免受成人欲望的侵害。通过对希尔兹的讨论,艺术家、记者和其他人阐明了理解新性别化儿童的对立逻辑,并为当代关于视觉文化中的儿童的辩论奠定了基础。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
‘A woman’s face and a child’s body’: Brooke Shields and child sexuality
ABSTRACT In the 1970s, child actress and model Brooke Shields became a flashpoint for the crisis over child sexuality and paedophilia. Shields’s disturbing marriage of a child’s body with a womanly face disrupted the iconography of childhood that had flourished since the Enlightenment and pointed towards a new paradigm that has become more prominent in the decades since. This article examines how child liberationist views that children are sexual beings helped to shape Shields’s public image as an object of adult male desire, even as her celebrity became a vector for the emerging feminist argument that children must be protected from adult desire. Through discourse about Shields, artists, journalists, and others articulated opposing logics for understanding the newly sexualised child and helped lay the foundation for contemporary debates about children in visual culture.
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来源期刊
Celebrity Studies
Celebrity Studies Multiple-
CiteScore
2.20
自引率
13.30%
发文量
58
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