{"title":"萧《皮格马利翁》中一个伦敦姑娘的两个译本：布鲁塔和玛西娅的作品","authors":"Edurne GoÑl-Alsúa","doi":"10.5325/shaw.42.1.0059","DOIUrl":null,"url":null,"abstract":"\n Bernard Shaw has been a well-known writer in the Spanish-speaking world since Julio Broutá introduced his works in Spain at the beginning of the twentieth century. This article assesses two of the six translations of his play Pygmalion into Spanish, those of Julio Broutá (1919) and Floreal Mazía (1952), focusing specifically on the rendering of Cockney. Both target authors maintain the dialectal distinction in their works, by translating Cockney as Cheli and Lunfardo, dialects spoken by the lower classes of Madrid and Buenos Aires, respectively.","PeriodicalId":40781,"journal":{"name":"Shaw-The Journal of Bernard Shaw Studies","volume":" ","pages":""},"PeriodicalIF":0.6000,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Two Translations of a Cockney Girl in Shaw’s Pygmalion: The Works of Julio Broutá and Floreal Mazía\",\"authors\":\"Edurne GoÑl-Alsúa\",\"doi\":\"10.5325/shaw.42.1.0059\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n Bernard Shaw has been a well-known writer in the Spanish-speaking world since Julio Broutá introduced his works in Spain at the beginning of the twentieth century. This article assesses two of the six translations of his play Pygmalion into Spanish, those of Julio Broutá (1919) and Floreal Mazía (1952), focusing specifically on the rendering of Cockney. Both target authors maintain the dialectal distinction in their works, by translating Cockney as Cheli and Lunfardo, dialects spoken by the lower classes of Madrid and Buenos Aires, respectively.\",\"PeriodicalId\":40781,\"journal\":{\"name\":\"Shaw-The Journal of Bernard Shaw Studies\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.6000,\"publicationDate\":\"2022-07-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Shaw-The Journal of Bernard Shaw Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5325/shaw.42.1.0059\",\"RegionNum\":4,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, BRITISH ISLES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Shaw-The Journal of Bernard Shaw Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5325/shaw.42.1.0059","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, BRITISH ISLES","Score":null,"Total":0}
Two Translations of a Cockney Girl in Shaw’s Pygmalion: The Works of Julio Broutá and Floreal Mazía
Bernard Shaw has been a well-known writer in the Spanish-speaking world since Julio Broutá introduced his works in Spain at the beginning of the twentieth century. This article assesses two of the six translations of his play Pygmalion into Spanish, those of Julio Broutá (1919) and Floreal Mazía (1952), focusing specifically on the rendering of Cockney. Both target authors maintain the dialectal distinction in their works, by translating Cockney as Cheli and Lunfardo, dialects spoken by the lower classes of Madrid and Buenos Aires, respectively.
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