IF 0.8 4区 艺术学 0 ART
Esra Nasır
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引用次数: 0

摘要

摘要塞尔苏克·阿图特的作品借鉴了几何图案,经常产生影响,引发了许多新的想法和创新思维。他最近在伊斯坦布尔阿塔蒂尔克文化中心举办的Beyoğlu文化之路项目中的展览名为“Geomart-ut7”,为沉思创造了一个多层次的场所。几何图案通过计算机编码在高大的数字屏幕上移动、浮动、发散和汇聚,其中大多数灵感来自历史上观察到的几何艺术品的奇迹。然而,当我们仔细观察这些动画几何图案时,我们会发现艺术家的作品不仅仅是传统图案的复制品;通过动画,通过编码技术动画化的几何图案改变了它们的角度和方向,产生了中间图形。当前的创作过程,由艺术家自己定义为辩证创造力,是由于艺术家和计算机之间的相互作用而出现的,他用计算机通过代码语言进行交流。这种艺术作品的基本原理涵盖了重复、冥想效果和无限的主题;因此,把阿图特的作品放在当代是非常恰当的。在这里,我们看到了艺术家试图从他根深蒂固的遗产中汲取思想,并与过去建立有意义的联系,即使是在当代艺术舞台上。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Geomart-ut7, Selçuk Artut, Atatürk Kültür Merkezi, İstanbul
Abstract Selçuk Artut’s works, which take their reference from geometric patterns, have often had influence, sparking many new ideas and generating innovative thinking. His recent exhibition, entitled as Geomart-ut7, in the Beyoğlu Culture Route programme, located at Atatürk Cultural Centre in Istanbul, creates a multi-layered venue for contemplation. The geometric patterns which move, float, diverge and converge by the means of computer coding on tall digital screens, and most of these take their inspiration from the marvels of geometrical artworks that are observed throughout history. However when we carefully observe these animated geometrical patterns, we see that the artist’s works are not merely the replicas of traditional patterns; through animation, the geometrical patterns, which are animated by coding techniques, change their angles and directions, yielding intermediary figures. The current creation process, which was defined by the artist himself as Dialectical Creativity, emerges because of mutual interactions between the artist and the computer, which he uses to communicate through the code language. The fundamentals of this artistic production cover the themes of repetition, meditative effect and infinity; thus, it is very appropriate to consider Artut’s artworks in the contemporary age. Here we see the attempt of the artist to derive ideas from his deeply-rooted heritage, and make the meaningful connections with the past, even while emerging onto the contemporary art scene.
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来源期刊
CiteScore
2.00
自引率
20.00%
发文量
68
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