“自由飞翔的自然女人潮”?女性主义客观化叙述中超越表征的身体

IF 0.9 2区 社会学 Q3 WOMENS STUDIES
Hannah McCann
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引用次数: 2

摘要

本文将乳房作为一个关键的案例来研究西方白人女权主义者关于具体化和物化的争论。跟踪这些描述中对“凝视”的理解的变化,我们发现物化通常是单一的,非历史的,并且越来越多地被个人内化。这些物化方法的历史有助于解释为什么在21世纪初,女权主义政治失败的理论经常被修辞地放在手术修饰乳房的讨论中,作为“假”女权主义新时代的象征。相比之下,2010年代出现了一些女权运动,其前提是暴露肉体,并声称个人恢复身体自主权。本文认为,这两种观点都依赖于一种观念,这种观念建立在西方白人女权主义思想的连续时代,即政治工作可以而且应该通过身体作为代表性政治的场所来完成。这篇文章随后提供了一个简短的见解,我们如何改变我们对乳房的方法,以更好地解释肉体体验的混乱,将个人视为政治,而不是投资于身体作为必须制定政治的场所。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
‘The Free-Flying Natural Woman Boobs of Yore’? the Body Beyond Representation in Feminist Accounts of Objectification
This article takes up references to breasts as a key case study to examine white Western feminist debate around embodiment and objectification. Tracking shifting understandings of ‘the gaze’ in these accounts, we find that objectification is often rendered singular, ahistorical and, increasingly, individually internalised. The history of these approaches to objectification helps to explain why during the early 2000s, theorisations of feminist politics-lost were often rhetorically located alongside discussions of surgically modified breasts as a symbol of a new era of ‘fake’ feminism. In contrast, the 2010s saw several feminist movements premised on exposure of flesh and claims to individual recuperation of bodily autonomy. This article contends that both of these perspectives rely on a notion, built over successive eras of white Western feminist thought, that political work can and ought to be done through the body as a site of representational politics. This article subsequently offers a brief insight into how we might queer our approach to breasts to better account for the messiness of experiences of the flesh, considering the personal as political, while not investing in the body as the site where politics must be enacted.
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来源期刊
Feminist Review
Feminist Review WOMENS STUDIES-
CiteScore
2.40
自引率
5.60%
发文量
19
期刊介绍: Feminist Review is a peer reviewed, interdisciplinary journal setting new agendas for the analysis of the social world. Currently based in London with an international scope, FR invites critical reflection on the relationship between materiality and representation, theory and practice, subjectivity and communities, contemporary and historical formations. The FR Collective is committed to exploring gender in its multiple forms and interrelationships. As well as academic articles we publish experimental pieces, visual and textual media and political interventions, including, for example, interviews, short stories, poems and photographic essays.
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