剪影自我与社会:尼勒姆·萨兰·古尔访谈

IF 0.4 3区 文学 0 LITERATURE
ENGLISH Pub Date : 2020-06-01 DOI:10.1093/english/efaa005
Chhandita Das, P. Tripathi
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引用次数: 2

摘要

20世纪70年代以来,人文地理学家如Tim Cresswell、Edward Relph和tui - fu的出现重新定义了“地点”的含义,通过广泛强调自然景观内外的人类经验。从那时起,“地方”扩展了它的领域,跨越了各种学科的领域,包括文学研究和生产。讨论“地方”与著名印度作家Neelum Saran Gour如何代表阿拉哈巴德的关系,展示了她如何重构城市的“文化地理”。在解读她的文学空间的同时,本次采访将从地理和社会文化的角度关注“地方”的多维概念,以及阿拉哈巴德或任何其他类似阿拉哈巴德的地方如何成为作家“自我”及其居民的延伸。这次采访也说明了你是如何从不同的语言和性别身份的角度来看待多元文化的北印度社会的不可见性的。反过来,你的作品从地区独特性转向更广泛地代表“印度性”。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Silhouetting the Self and Society: An Interview with Neelum Saran Gour
The emergence of humanistic geographers like Tim Cresswell, Edward Relph, and Yi-Fu Tuan from the 1970s onwards redefined the meaning of ‘place’, through extensive emphasis on human experience within and beyond the physical landscape. Since then ‘place’ has stretched its domain and traversed the terrains of various disciplines, including literary study and production. Discussing ‘place’ in relation to how the acclaimed Indian writer Neelum Saran Gour represents Allahabad shows how she reframes the ‘cultural geography’ of the city. While decoding her literary spaces, this interview focusses on the multidimensional concept of ‘place’ from geographical and social–cultural perspectives and how Allahabad, or any other place like Allahabad for that matter, becomes an extension of the writer’s ‘self’ and its inhabitants. This interview also explicates how Gour conceives the invisibilities of multicultural North Indian society in terms of its various linguistic and gendered identities. In turn, Gour’s work moves from regional singularity to represent ‘Indianness’ more broadly.
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来源期刊
ENGLISH
ENGLISH LITERATURE-
CiteScore
0.40
自引率
0.00%
发文量
25
期刊介绍: English is an internationally known journal of literary criticism, published on behalf of The English Association. Each issue contains essays on major works of English literature or on topics of general literary interest, aimed at readers within universities and colleges and presented in a lively and engaging style. There is a substantial review section, in which reviewers have space to situate a book within the context of recent developments in its field, and present a detailed argument. English is unusual among academic journals in publishing original poetry. This policy embodies the view that the critical and creative functions, often so widely separated in the teaching of English, can co-exist and cross-fertilise each other.
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