超越人类的建筑

IF 0.1 0 ARCHITECTURE
Marina Otero Verzier
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引用次数: 0

摘要

艺术家Constant Nieuwenhuys在他的项目《新巴比伦》(1956–1974)中提出了一个另类社会,将时间投入到创造力和游戏中,人类的工作变得多余。自由空间和休闲的建筑范式使工作自动化,新巴比伦也能够将后劳动世界的建筑形象化。五十年后,这个世界开始具体成形。如今,全自动化架构正在荷兰和中国等地实施。它的引入动摇了劳动力市场,也动摇了随着生产中心机器的出现而过时的人类空间和工作任务的配置。然而,从可能过时的角度来看,这些破坏性的变化也可能引发人类工作及其架构概念的重塑。建筑学科面临着应对自动化技术引入的挑战。然而,作为一个仍然缺乏批判性空间视角的研究和创新领域,自动化架构是辨别迫在眉睫的未来的基础,也是探索我们接受或挑战未来的机构和能力的基础。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Architecture for More-than-Humans
In his project New Babylon (1956– 1974), artist Constant Nieuwenhuys proposes an alternative society that dedicates its time to creativity and play, and where human work becomes superfluous. Architectural paradigm of the free space and leisure enabled by the automation of work, New Babylon was also able to visualize the architecture of the post-labor world. A world that, fifty years later, is beginning to take concrete shape. Today, the architecture of full automation is being implemented in places like the Netherlands and China. Its introduction shakes the labor markets, as well as the configuration of human spaces and work tasks that have become obsolete with the emergence of machines in the production centers. These disruptive changes, however, could also be a trigger for the reinvention of the notion of human work and its architecture, from the perspective of its possible obsolescence. The architectural discipline faces the challenge of responding to the introduction of automation technologies. A research and innovation domain that still lacks a critical spatial perspective, automated architecture is, however, fundamental to discern an imminent future and, ultimately, to explore our agency and capacity to accept or challenge it.
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