O 'Donnell和Tuomey的大学建筑:增强用户参与度的非正式学习空间

IF 1.1 0 ARCHITECTURE
C. Molloy
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引用次数: 3

摘要

摘要学生学习设计理论的发展正在影响大学的建筑环境。无论从传统的演讲厅转向在线学习,对于那些试图在竞争激烈的新自由主义市场中吸引学生的大学来说,旨在促进学生参与和合作的社交学习空间的存在变得越来越重要。本文研究了由著名的爱尔兰建筑师O’Donnell和Tuomey设计的三座大学建筑中鼓励社交的非正式学习空间的普遍性:伦敦经济学院的Saw Swee Hock学生中心;布达佩斯中欧大学(CEU)重建和;科克大学学院的枢纽项目。通过在观点、联系、渗透性和提供非正式学习空间方面的相似性,奥唐纳大学和图米大学的建筑展示了鼓励社会互动和与公共领域联系的能力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
O’Donnell and Tuomey’s University Architecture: Informal Learning Spaces that Enhance User Engagement
Abstract Evolved design theories of student learning are impacting the built environment of universities. Regardless of a move away from traditional lecture theaters toward online learning, the presence of social learning spaces that aim to facilitate student engagement and collaboration is becoming increasingly important to universities who are trying to attract students in a competitive neoliberal marketplace. This paper examines the prevalence of informal learning spaces that encourage social interaction within three university buildings designed by acclaimed Irish architects O’Donnell and Tuomey: the Saw Swee Hock Student Center at the London School of Economics (LSE); Budapest’s Central European University (CEU) redevelopment and; the Hub Project at University College Cork (UCC). Through similarities in relation to views, connections, permeability, and the provision of informal learning spaces, the O’Donnell and Tuomey university buildings demonstrate the ability to encourage social interaction and connection to the public realm.
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来源期刊
Architecture and Culture
Architecture and Culture ARCHITECTURE-
CiteScore
0.80
自引率
0.00%
发文量
25
期刊介绍: Architecture and Culture, the international award winning, peer-reviewed journal of the Architectural Humanities Research Association, investigates the relationship between architecture and the culture that shapes and is shaped by it. Whether culture is understood extensively, as shared experience of everyday life, or in terms of the rules and habits of different disciplinary practices, Architecture and Culture asks how architecture participates in and engages with it – and how both culture and architecture might be reciprocally transformed. Architecture and Culture publishes exploratory research that is purposively imaginative, rigorously speculative, visually and verbally stimulating. From architects, artists and urban designers, film-makers, animators and poets, from historians of culture and architecture, from geographers, anthropologists and other social scientists, from thinkers and writers of all kinds, established and new, it solicits essays, critical reviews, interviews, fictional narratives in both images and words, art and building projects, and design hypotheses. Architecture and Culture aims to promote a conversation between all those who are curious about what architecture might be and what it can do.
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