{"title":"在博物馆的对面和外面","authors":"Alírio Karina","doi":"10.1080/09528822.2022.2145049","DOIUrl":null,"url":null,"abstract":"Abstract This article considers the role of museums in contemporary and past formations of imperial knowledge and power, and the consequences of this role for the questions of accountability and restitution that have gained new prominence over the past few years. Departing from the view that matters of repatriation and restitution should privilege the terms of collection, this article instead examines the problem of colonial inheritance for museum collections as a whole, and for the museum as an institution. Further, it argues that the museum is an institutional form lacking in contemporary justification, this article proposes that the project for those who seek to ‘decolonise’ the museum must be to end the museum, and to imagine, in its place, new ways of relating to matters of memory and identity.","PeriodicalId":45739,"journal":{"name":"Third Text","volume":"36 1","pages":"651 - 662"},"PeriodicalIF":0.3000,"publicationDate":"2022-11-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Against and beyond the Museum\",\"authors\":\"Alírio Karina\",\"doi\":\"10.1080/09528822.2022.2145049\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract This article considers the role of museums in contemporary and past formations of imperial knowledge and power, and the consequences of this role for the questions of accountability and restitution that have gained new prominence over the past few years. Departing from the view that matters of repatriation and restitution should privilege the terms of collection, this article instead examines the problem of colonial inheritance for museum collections as a whole, and for the museum as an institution. Further, it argues that the museum is an institutional form lacking in contemporary justification, this article proposes that the project for those who seek to ‘decolonise’ the museum must be to end the museum, and to imagine, in its place, new ways of relating to matters of memory and identity.\",\"PeriodicalId\":45739,\"journal\":{\"name\":\"Third Text\",\"volume\":\"36 1\",\"pages\":\"651 - 662\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2022-11-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Third Text\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/09528822.2022.2145049\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Third Text","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/09528822.2022.2145049","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
Abstract This article considers the role of museums in contemporary and past formations of imperial knowledge and power, and the consequences of this role for the questions of accountability and restitution that have gained new prominence over the past few years. Departing from the view that matters of repatriation and restitution should privilege the terms of collection, this article instead examines the problem of colonial inheritance for museum collections as a whole, and for the museum as an institution. Further, it argues that the museum is an institutional form lacking in contemporary justification, this article proposes that the project for those who seek to ‘decolonise’ the museum must be to end the museum, and to imagine, in its place, new ways of relating to matters of memory and identity.
期刊介绍:
Third Text is an international scholarly journal dedicated to providing critical perspectives on art and visual culture. The journal examines the theoretical and historical ground by which the West legitimises its position as the ultimate arbiter of what is significant within this field. Established in 1987, the journal provides a forum for the discussion and (re)appraisal of theory and practice of art, art history and criticism, and the work of artists hitherto marginalised through racial, gender, religious and cultural differences. Dealing with diversity of art practices - visual arts, sculpture, installation, performance, photography, video and film.