伯克利对投机小说的腺体之旅(下):玛格丽特·卡文迪什与伯克利对女性的态度

IF 2.1 1区 哲学 0 PHILOSOPHY
C. Moriarty, Lisa Walters
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引用次数: 0

摘要

在第一部分中,我们探讨了伯克利是如何从荷马文学中提取灵感,并使用讽刺等文学技巧来挑战他在《卫报》上发表的“松果体”故事中“自由思考”的哲学对手的。第1部分和第2部分呼应了伯克利在随后几年进行的大规模考察,都呈现了伯克利文本的一些动机、影响和遗产的“腺体考察”。特别地,第二部分探讨了从玛格丽特·卡文迪什开始到加布里埃尔·丹尼尔、伯克利和亚历山大·波普的文学影响。在此过程中,我们在讨论伯克利对女性的复杂态度的同时,在玛格丽特·卡文迪什的作品中提出了对伯克利故事特征的预期。这篇论文还认为,伯克利的故事代表了投机小说史上一个未被充分认识但意义重大的里程碑。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Berkeley's Gland Tour into Speculative Fiction Part 2: Margaret Cavendish and Berkeley's Attitudes Towards Women
In Part 1, we explored how Berkeley drew from Homeric literature and used literary techniques such as satire to challenge his “freethinking” philosophical opponents in “The Pineal Gland” story published in The Guardian in 1713. Echoing the grand tours Berkeley undertook in subsequent years, Part 1 and 2 both present a “gland tour” of some motivations, influ-ences and legacies of Berkeley's text. In particular, Part 2, explores a line of literary influence beginning with Margaret Cavendish and extending through Gabriel Daniel, Berkeley and Alexander Pope. In doing so, we present anticipations of features of Berkeley's story in the writings of Margaret Cavendish amid a discussion of Berkeley's complex attitudes towards women. The paper also argues that Berkeley's story represents an underappreciated yet significant milestone in the history of speculative fiction.
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来源期刊
Philosophy Compass
Philosophy Compass Arts and Humanities-Philosophy
CiteScore
3.50
自引率
0.00%
发文量
87
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