《杀人作秀》:与朱利安·斯塔布拉斯的对话

IF 0.3 4区社会学 0 HUMANITIES, MULTIDISCIPLINARY

OCTOBER Pub Date : 2021-09-01 DOI:10.1162/octo_a_00430

M. Nixon

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引用次数: 1

摘要

摘要在朱利安·斯塔拉布拉斯（Julian Stallabrass）的《为表演而杀人：越南和伊拉克的摄影、战争和媒体》（Rowman&Littlefield，2021）出版后引发的这场对话中，斯塔布拉斯和米农·尼克松讨论了摄影在两场战争中所扮演的角色，史塔拉布拉斯认为，这两场战争是同时为摄像机上演的，并被摄像机掩盖。讨论涵盖了战争摄影的不同模式，从新闻摄影和官方军事摄影到业余和奖杯图像、善后照片，以及当代艺术家使用的发现图像。它详述了记忆、系统性残忍、创伤和忧郁的问题，以及技术、媒体和社会关系的变化，这些变化随着时间的推移改变了杀戮的动态，但没有消除必要性。

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“Killing for Show”: A Conversation with Julian Stallabrass

Abstract In this conversation prompted by the publication of Julian Stallabrass's Killing for Show: Photography, War and the Media in Vietnam and Iraq (Rowman & Littlefield, 2021), Stallabrass and Mignon Nixon discuss the roles played by photography in two wars that, Stallabrass contends, were simultaneously staged for, and concealed from, the camera. The discussion encompasses diverse modes of war photography, from photojournalism and official military photography to amateur and trophy images, aftermath photographs, and found images used by contemporary artists. It dwells on questions of memory, systemic cruelty, trauma, and melancholy, and on shifts in technology, media, and social relations that have altered the dynamics of killing for show over time, without eliminating the imperative.

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来源期刊

OCTOBER HUMANITIES, MULTIDISCIPLINARY-

CiteScore

0.10

自引率

33.30%

发文量

期刊介绍： At the forefront of art criticism and theory, October focuses critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, media, photography, performance, sculpture, and literature. Examining relationships between the arts and their critical and social contexts, October addresses a broad range of readers. Original, innovative, provocative, each issue presents the best, most current texts by and about today"s artistic, intellectual, and critical vanguard.