{"title":"评《巴赫赋格艺术对偶曲第十四首完成的信息理论比较方法》","authors":"Stefanie Acevedo","doi":"10.18061/emr.v17i1.9158","DOIUrl":null,"url":null,"abstract":"Information entropy can be a powerful tool for analyzing differences in musical style as suggested in Paz et al. (2022). The application of such a tool, however, requires unambiguous operationalization of the variables being measured, and establishment of clear relations between the variables and the distinguishing features of the style. Without these, interpreting entropy, or any other relative measure of difference, leads to no useful conclusions regarding the similarity between style.","PeriodicalId":44128,"journal":{"name":"Empirical Musicology Review","volume":" ","pages":""},"PeriodicalIF":0.6000,"publicationDate":"2023-08-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Commentary on “An Information-Theoretical Method for Comparing Completions of Contrapunctus XIV from Bach’s Art of Fugue”\",\"authors\":\"Stefanie Acevedo\",\"doi\":\"10.18061/emr.v17i1.9158\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Information entropy can be a powerful tool for analyzing differences in musical style as suggested in Paz et al. (2022). The application of such a tool, however, requires unambiguous operationalization of the variables being measured, and establishment of clear relations between the variables and the distinguishing features of the style. Without these, interpreting entropy, or any other relative measure of difference, leads to no useful conclusions regarding the similarity between style.\",\"PeriodicalId\":44128,\"journal\":{\"name\":\"Empirical Musicology Review\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.6000,\"publicationDate\":\"2023-08-10\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Empirical Musicology Review\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.18061/emr.v17i1.9158\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Empirical Musicology Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.18061/emr.v17i1.9158","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
Commentary on “An Information-Theoretical Method for Comparing Completions of Contrapunctus XIV from Bach’s Art of Fugue”
Information entropy can be a powerful tool for analyzing differences in musical style as suggested in Paz et al. (2022). The application of such a tool, however, requires unambiguous operationalization of the variables being measured, and establishment of clear relations between the variables and the distinguishing features of the style. Without these, interpreting entropy, or any other relative measure of difference, leads to no useful conclusions regarding the similarity between style.