{"title":"莎拉·麦肯齐。加拿大土著妇女戏剧:一种非殖民化机制","authors":"J. Burelle","doi":"10.3138/md-65-1-br4","DOIUrl":null,"url":null,"abstract":"In Indigenous Women’s Theatre in Canada: A Mechanism of Decolonization, Sarah MacKenzie centres the early work of Indigenous female playwrights Monique Mojica, Marie Clements, and Yvette Nolan. She convincingly argues that they stage acts of dramatic subversion that challenge violent colonial misrepresentations of Indigenous women and envision a decolonized future.","PeriodicalId":43301,"journal":{"name":"MODERN DRAMA","volume":" ","pages":""},"PeriodicalIF":0.4000,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Sarah Mackenzie. Indigenous Women’s Theatre in Canada: A Mechanism of Decolonization\",\"authors\":\"J. Burelle\",\"doi\":\"10.3138/md-65-1-br4\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In Indigenous Women’s Theatre in Canada: A Mechanism of Decolonization, Sarah MacKenzie centres the early work of Indigenous female playwrights Monique Mojica, Marie Clements, and Yvette Nolan. She convincingly argues that they stage acts of dramatic subversion that challenge violent colonial misrepresentations of Indigenous women and envision a decolonized future.\",\"PeriodicalId\":43301,\"journal\":{\"name\":\"MODERN DRAMA\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2022-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"MODERN DRAMA\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3138/md-65-1-br4\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"THEATER\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"MODERN DRAMA","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3138/md-65-1-br4","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"THEATER","Score":null,"Total":0}
Sarah Mackenzie. Indigenous Women’s Theatre in Canada: A Mechanism of Decolonization
In Indigenous Women’s Theatre in Canada: A Mechanism of Decolonization, Sarah MacKenzie centres the early work of Indigenous female playwrights Monique Mojica, Marie Clements, and Yvette Nolan. She convincingly argues that they stage acts of dramatic subversion that challenge violent colonial misrepresentations of Indigenous women and envision a decolonized future.
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