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引用次数: 0
摘要
摘要:后来的特雷森托曲目中包含了许多简短的、单营养的民谣,带有哲学或道德文本。为什么诗人和作曲家,主要是佛罗伦萨人,在探索严肃的主题时,更喜欢民谣而不是牧歌,为什么他们使用单营养形式?事实证明,单营养民谣的文本结构在本质上可以与欧几里得的《元素》中的几何论证模式相媲美,包括前提、论证和对增强的、证明的前提的回归(quod erat recommendandum)。考虑到佛罗伦萨人本主义与哲学的接触,包括奥卡姆的论证方法,本文考察了弗朗切斯科·兰迪尼和其他作曲家受到哲学的充分影响,将单营养民谣的结构视为精细论证的逻辑论证手段的可能性。
The form of the monostrophic ballata as a frame for a logical demonstration
ABSTRACT The later Trecento repertoire contains many short, monostrophic ballatas with philosophical or moralising texts. Why should the poets and composers, mostly Florentine, have preferred the ballata over the madrigal when exploring serious subjects, and why did they employ the monostrophic form? It turns out that the text structure of the monostrophic ballata is, in its essentials, comparable to the pattern of the geometric demonstration from Euclid's Elements, comprising premise, argumentation and return to the enhanced, proved premise (quod erat demonstrandum). Considered in light of Florentine Humanism's engagement with philosophy, including Ockham methods of demonstration, this article examines the possibility that Francesco Landini and other composers were sufficiently influenced by philosophy to view the structure of the monostrophic ballata as a means of logical demonstrations of refined arguments.
期刊介绍:
Plainsong & Medieval Music is published twice a year in association with the Plainsong and Medieval Music Society and Cantus Planus, study group of the International Musicological Society. It covers the entire spectrum of medieval music: Eastern and Western chant, secular lyric, music theory, palaeography, performance practice, and medieval polyphony, both sacred and secular, as well as the history of musical institutions. The chronological scope of the journal extends from late antiquity to the early Renaissance and to the present day in the case of chant. In addition to book reviews in each issue, a comprehensive bibliography of chant research and a discography of recent and re-issued plainchant recordings appear annually.