{"title":"“别了,我的维吾尔语”:维吾尔诗歌与歌曲中的语言焦虑与抵抗,1990 - 2010年代","authors":"N. Baranovitch","doi":"10.1017/s0026749x23000185","DOIUrl":null,"url":null,"abstract":"\n In recent decades, as part of the efforts of the Chinese government first to integrate and, more recently, to forcibly assimilate the Uyghur population into China’s mainstream culture and society, the Uyghur language has been marginalized and repressed to an unprecedented extent. The academic literature on Xinjiang’s language policy has repeatedly acknowledged that this repression is a major source of concern and discontent among many Uyghurs. However, to date, little has been written about the public response of Uyghurs to this policy and their open efforts to challenge it. In particular, with very few exceptions, little is known about the public response of Uyghur writers and artists. In this article I analyse a large corpus of Uyghur poems and songs that engaged openly with the Uyghur language crisis and were published and disseminated in the Uyghur public sphere between the mid-1990s and the mid-2010s. Unlike some studies that try to assess the condition of certain languages at a certain point in time through objective methodologies, these literary and artistic works provide an insider view on how the Uyghur cultural elite and many other Uyghurs experienced the repression and loss of their native language, and also, how they struggled against this repression. In the article I examine the diverse sentiments, perceptions, and discourses that these literary and artistic expressions communicate, and the different strategies that the Uyghurs used to struggle against the language policy and its consequences. I also explore what these works tell us about the development of Xinjiang’s language policy over time, the linguistic reality in the region, and the impact that the language policy has had on Uyghur society. Finally, the article also investigates the broad political meanings of these works and speculates on the link between them and the efforts of the Chinese government to further marginalize the Uyghur language.","PeriodicalId":51574,"journal":{"name":"Modern Asian Studies","volume":" ","pages":""},"PeriodicalIF":1.0000,"publicationDate":"2023-07-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"‘Farewell, My Uyghur Language’: Linguistic anxiety and resistance in Uyghur poetry and songs, 1990s–2010s\",\"authors\":\"N. Baranovitch\",\"doi\":\"10.1017/s0026749x23000185\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n In recent decades, as part of the efforts of the Chinese government first to integrate and, more recently, to forcibly assimilate the Uyghur population into China’s mainstream culture and society, the Uyghur language has been marginalized and repressed to an unprecedented extent. The academic literature on Xinjiang’s language policy has repeatedly acknowledged that this repression is a major source of concern and discontent among many Uyghurs. However, to date, little has been written about the public response of Uyghurs to this policy and their open efforts to challenge it. In particular, with very few exceptions, little is known about the public response of Uyghur writers and artists. In this article I analyse a large corpus of Uyghur poems and songs that engaged openly with the Uyghur language crisis and were published and disseminated in the Uyghur public sphere between the mid-1990s and the mid-2010s. Unlike some studies that try to assess the condition of certain languages at a certain point in time through objective methodologies, these literary and artistic works provide an insider view on how the Uyghur cultural elite and many other Uyghurs experienced the repression and loss of their native language, and also, how they struggled against this repression. In the article I examine the diverse sentiments, perceptions, and discourses that these literary and artistic expressions communicate, and the different strategies that the Uyghurs used to struggle against the language policy and its consequences. I also explore what these works tell us about the development of Xinjiang’s language policy over time, the linguistic reality in the region, and the impact that the language policy has had on Uyghur society. Finally, the article also investigates the broad political meanings of these works and speculates on the link between them and the efforts of the Chinese government to further marginalize the Uyghur language.\",\"PeriodicalId\":51574,\"journal\":{\"name\":\"Modern Asian Studies\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":1.0000,\"publicationDate\":\"2023-07-25\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Modern Asian Studies\",\"FirstCategoryId\":\"90\",\"ListUrlMain\":\"https://doi.org/10.1017/s0026749x23000185\",\"RegionNum\":2,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"AREA STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Modern Asian Studies","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1017/s0026749x23000185","RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"AREA STUDIES","Score":null,"Total":0}
‘Farewell, My Uyghur Language’: Linguistic anxiety and resistance in Uyghur poetry and songs, 1990s–2010s
In recent decades, as part of the efforts of the Chinese government first to integrate and, more recently, to forcibly assimilate the Uyghur population into China’s mainstream culture and society, the Uyghur language has been marginalized and repressed to an unprecedented extent. The academic literature on Xinjiang’s language policy has repeatedly acknowledged that this repression is a major source of concern and discontent among many Uyghurs. However, to date, little has been written about the public response of Uyghurs to this policy and their open efforts to challenge it. In particular, with very few exceptions, little is known about the public response of Uyghur writers and artists. In this article I analyse a large corpus of Uyghur poems and songs that engaged openly with the Uyghur language crisis and were published and disseminated in the Uyghur public sphere between the mid-1990s and the mid-2010s. Unlike some studies that try to assess the condition of certain languages at a certain point in time through objective methodologies, these literary and artistic works provide an insider view on how the Uyghur cultural elite and many other Uyghurs experienced the repression and loss of their native language, and also, how they struggled against this repression. In the article I examine the diverse sentiments, perceptions, and discourses that these literary and artistic expressions communicate, and the different strategies that the Uyghurs used to struggle against the language policy and its consequences. I also explore what these works tell us about the development of Xinjiang’s language policy over time, the linguistic reality in the region, and the impact that the language policy has had on Uyghur society. Finally, the article also investigates the broad political meanings of these works and speculates on the link between them and the efforts of the Chinese government to further marginalize the Uyghur language.
期刊介绍:
Modern Asian Studies promotes original, innovative and rigorous research on the history, sociology, economics and culture of modern Asia. Covering South Asia, South-East Asia, China, Japan and Korea, the journal is published in six parts each year. It welcomes articles which deploy inter-disciplinary and comparative research methods. Modern Asian Studies specialises in the publication of longer monographic essays based on path-breaking new research; it also carries substantial synoptic essays which illuminate the state of the broad field in fresh ways. It contains a book review section which offers detailed analysis of important new publications in the field.