新编辑说明

IF 0.4 3区社会学 0 FOLKLORE

JOURNAL OF FOLKLORE RESEARCH Pub Date : 2021-03-04 DOI:10.2979/JFOLKRESE.58.1.01

Solimar Otero

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引用次数: 0

摘要

Jackson并没有将“核心文化”的概念具体化，认为这种文化可以被借用或窃取，他更倾向于研究学术界、媒体和艺术中关于文化挪用的讨论是如何反映出对文化倡导和表现力量的核心关注的。将文化挪用与传播、文化适应、同化、遗产和文化财产等术语放在一起，Jackson还为我们提供了一个深刻的历史和学术背景。[]印第安纳大学出版社的主任，在这个过渡时期为我们的《相遇:民俗学和民族音乐学的探索》系列丛书和杂志提供了重要的支持

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New Editor's Note

Rather than reifying an idea of a "core culture" that can be borrowed or stolen, Jackson prefers to look at how talk about cultural appropriation in the academy, media, and the arts reflects central concerns about cultural advocacy and the power of representation Putting cultural appropriation alongside terms like diffusion, acculturation, assimilation, heritage, and cultural property, Jackson also gives us a deep historical and academic contextualization of the term [ ]Gary Dunham, the Director of Indiana University Press, offered essential support for our Encounters: Explorations in Folklore and Ethnomusicology book series and the journal during this time of transition

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来源期刊

JOURNAL OF FOLKLORE RESEARCH FOLKLORE-

CiteScore

0.60

自引率

0.00%

发文量

期刊介绍： The Journal of Folklore Research has provided an international forum for current theory and research among scholars of traditional culture since 1964. Each issue includes topical, incisive articles of current theoretical interest to folklore and ethnomusicology as international disciplines, as well as essays that address the fieldwork experience and the intellectual history of folklore and ethnomusicology studies. Contributors include scholars and professionals in additional fields, including anthropology, area studies, communication, cultural studies, history, linguistics, literature, performance studies, religion, and semiotics.